검색어: i'm in for the long haul (영어 - 타갈로그어)

i'm going in for the night
pang gabi ang pasok ko bukas dahil lunes na

i'm in for a moment
pwede bang umalis

i'm flattered but i don't go in for the whole gay sex thing.
natutuwa ako pero hindi ko tipo ang gay sex.

overwhelmingly we wanted to remove stress and support our mission for the long term.
lubhang nais naming tanggalin ang stress at suportahan ang aming misyon nang pangmatagalan.

we have no problem today except for the paper we were wasting because of our photocopying and also because the a4 printer can only fit the scanner so even though the long photocopier is still broken so we shut it down.
wala namin kaming problema sa araw na ito maliban lang sa mga papel na amin nasayang dahil sa pagphophotocopy namin at dahil na rin sa printer a4 lang pwedeng kumasya sa scanner kaya kahit long ung pinaphotocopy may putol putol rin kaya't sinasakto namin.

strategic objective is basically what the firm's would like to do in the long run (over the next few years). e.g increase annual profit by 10% for the next five years
strategic objective is basically what the firm's would like to do in the long run (over the next few years). e.g increase annual profit by 10% for the next five years

a low art [excerpt from the penelopiad] by margaret atwood (canada) now that i’m dead i know everything. this is what i wished would happen, but like so many of my wishes it failed to come true. i know only a few factoids that i didn’t know before. death is much too high a price to pay for the satisfaction of curiosity, needless to say. since being dead — since achieving this state of bonelessness, liplessness, breastlessness —i’ve learned some things i would rather not know, as one does when listening at windows or opening ot her people’s letters. you think you’d like to read minds? think again. down here everyone arrives with a sack, like the sacks used to keep the winds in, but each of these sacks is full of words —words you’ve spoken, words you’ve heard, wo rds that have been said about you. some sacks are very small, others large; my own is of a reasonable size, though a lot of the words in it concern my eminent husband. what a fool he made of me, some say. it was a specialty of his: making fools. he got away with everything, which was another of his specialties: getting away. he was always so plausible. many people have believed that his version of events was the true one, give or take a few murders, a few beautiful seductresses, a few one-eyed monsters. even i believed him, from time to time. i knew he was tricky and a liar, i just didn’t think he would play his tricks and try out his lies on me. hadn’t i been faithful? hadn’t i waited, and waited, and waited, despite the temptation — almost the compulsion — to do otherwise? and what did i amount to, once the official version gained ground? an edifying legend. a stick used to beat other women with. why couldn’t they be as considerate, as trustworthy, as all-suffering as i had been? that was the line they took, the singers, the yarn- spinners. don’t follow my example, i want to scream in your ears — yes, yours! but when i try to scream, i sound like an owl. of course i had inklings, about his slipperiness, his wiliness, his foxiness, his — how can i put this? — his unscrupulousness, but i turned a blind eye. i kept my mouth shut; or if i opened it, i sang his praises. i didn’t contradict, i didn’t ask awkward questions, i didn’t dig deep. i wanted happy endings in those days, and happy endings are best achieved by keeping the right doors locked and going to sleep during the rampages. but after the main events were over and things had become less legendary, i realised how many people were laughing at me behind my back — how they were jeering, making jokes about me, jokes both clean and dirty; how they were turning me into a story, or into several stories, though not the kind of stories i’d prefer to hear about m yself. what can a woman do when scandalous gossip travels the world? if she defends herself she sounds guilty. so i waited some more. now that all the others have run out of air, it’s my t urn to do a little storymaking. i owe it to myself. i’ve had to work myself up to it: it’s a low art, tale-telling. old women go in for it, strolling beggars, blind singers, maidservants, children — folks with time on their hands. once, people would have laughed if i’d tried to play th e minstrel —there’s nothing more preposterous than an aristocrat fumbling around with the arts — but who cares about public opinion now? the opinion of the people down here: the opinions of shadows, of echoes. so i’ll spin a thread of my own.
isang mababang kwento ng sining sa tagalog