검색어: 30 mura (텔루구어 - 영어)

0. 30
0.30

30 days
what is your notice period?

30 పాయింట్లు
30 points

ఉదయం 30 స్క్వాట్స్
3 mints plank before bed

డైమెథోయేట్ 30% ec
monocrotophos 36% sl

30 నిమిషాలకు 8 am
in staging

30 రోజుల్లో ప్రేమ ఎలా
how to loving in 30 days

30 rupes karchu ayyinadhi
30 rupees karchu ayyinadhi

నేను మిమ్మల్ని 30 నిమిషాల్లో పిలుస్తాను
can we have a call you in 30 minuts

నేను 6:30 కి ఆలస్యంగా వస్తాను
i will be late like 6:30

nenu eroju 30,min late ga vastanu
i'm late today

నేను 8:30 గంటలకు పాఠశాలకు వెళ్తాను
i will go to school at eight thirty

he told once after 1:30 call to him
he told once after 1:30 call to him

రాత్రి 7:30 తర్వాత మీరు నాకు కాల్ చేయండి
call me ofter dharshanam

andharu vro's 10:30 varaku office kisi aravali
i just went to the office

nenu koncham bayata vunnanu, nenu meku 6:30 ki phone chesthanu
i'm going to call you at 6:30

sir e roju nenu 2 hours latega vastanu sir.10 rojula kritham ka akka pillalu intikibvacharu e roju 11:30 train ki hyderabadveltunnaru so iam droping to bhimavaram
sir e 2 days late vastanu sir.10 rojula kritham ka akka pillalu intikibvacharu e roju 11:30 train ki hyderabadveltunnaru so iam droping to bhimavaram

kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are stron
kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are strongly related to the classical hindu dance tradition of yakshagana found in karnataka, all three involve carnatic music, but these dance-drama traditions have differences such as in costumes, structure, interpretation and creative innovations.[15]