Je was op zoek naar: point of view (Chinees (Vereenvoudigd) - Engels)

角秒field of view
arcseconds

michael kropfbergermount point of storage
michael kropfberger

一度use hst field- of- view indicator
one degree

贝尔格莱德use 1- degree field- of- view indicator
telrad

视场the user should enter an angle for the field- of- view of the display
fov

æ— æ³•æ‰“å¼€æ–‡ä»¶ ：% 1do not use a field- of- view indicator
loading ngc/ ic data (%1%)

mb_ereg_search_setpos() sets the starting point of match for mb_ereg_search().
use this function at your own risk.

1982 krivičnopravni aspekti krvne osvete (blood feud from the point of view of criminal law), pitanja, 10-12/1982, pp. 20-25.
1982 krivičnopravni aspekti krvne osvete (blood feud from the point of view of criminal law), pitanja, 10-12/1982, pp. 20-25.

输入望远镜的焦距， 以毫米为单位 。 这是定义一个视野符号必需的数据项， 它必须与安装在望远镜上的照相机的视野相吻合。 use field- of- view for binoculars
enter the physical size of the ccd chip or film negative. this is one of the data fields required for defining a field-of-view (fov) symbol which matches the field-of-view of a camera mounted on a telescope.

the thesis that underlies this book can be reduced to an extremely simple formula: death is the origin and the center of culture. my aim is to illustrate this thesis employing ancient egyptian culture as my example. when it comes to the importance of death, this culture is admittedly an extreme example. but this has largely to do with the fact that we view ancient egypt from the standpoint of a culture that is equally extreme, but in the opposite direction. from the point of view of comparative anthropology, it is we, not the ancient egyptians, who are the exception. few cultures in this world exclude death and the dead from their reality as radically as we do. living with the dead and with death is one of the most normal manifestations of human culture, and it presumably lies at the heart of the stuff of human existence. in this book, i thus pursue three matters of concern. one, and this is the most important, is to supply an introduction to the conceptual world of ancient egyptian mortuary religion, to which the unusually large number of preserved texts afford us a privileged entrée. in ancient egypt, mortuary religion was not simply one area of cultural praxis among others, such as the cult of the gods, economy, law, politics, literature, and so forth. rather, in this case, we are dealing with a center of cultural consciousness, one that radiated out into many—we might almost say, in
the thesis that underlies this book can be reduced to an extremely simple formula: death is the origin and the center of culture. my aim is to illustrate this thesis employing ancient egyptian culture as my example. when it comes to the importance of death, this culture is admittedly an extreme example. but this has largely to do with the fact that we view ancient egypt from the standpoint of a culture that is equally extreme, but in the opposite direction. from the point of view of comparative