Je was op zoek naar: coat (Engels - Georgisch)

coat!
მოსაცმელი!

- nice coat.
- დჲრთნჲ წკვ.

and then that coat.
კაკრჲ თ ოალრჲრჲ.

lara, take the coat off.
ლაპა, ჟჲბლვფთ დჲ მანრთლჲრ.

-get your coat, albie.
გჱვმთ ჟთ ოალრჲრჲ, ალბთ.

-the cheese and fur coat.
კაკ რაკა? - ჟ რჲგა ჟთპვნვ თ ჟ ეპვჳარა ჟთ.

that's a great coat!
ჟვ დლვეამვ! -ოპვსბაგა £აკნა!

get his coat, comrade commissar.
ვ ნვ ტარარ ჱაპაეთ გაჟ, ეპსდაპ კჲმვჟაპ.

honey, where did you get this coat?
ჟკყოა, ჲრკყევ გჱვ ოალრჲრჲ?

but you're happy to wear the mink coat
ნჲ ჟთ ჟპვვნ ეა ნჲჟთქ გთჱჲნ ნა რგჲვრჲ ოალრჲ,

hey, heyhey, that's a great coat.
ვ£, რჲა ვ ოპვსბაგა £აკნა.

- take your coat? - sure. - hey, cute bag.
ჳსბაგა ფანრა.

maiko heeds some goat baddinds to finish her coat shelter!
ჩექმები

well, it's just nice to see you out of your lab coat.
-სბაგჲ ვ ეა რვ გთეამ ბვჱ ლაბჲპარჲპთჟკთ...

paris is cold this time of year, so here's a nice warm coat.
ოჲ რჲგა გპვმვ ნა დჲეთნარა გ ოაპთზ ვ ჟრსევნჲ, ჱარჲგა რთ კსოთჳ ჳსბაგჲ, რჲოლჲ ოალრჲ.

i could sell a fur coat to an eskimo. yeah, phil, i'm sorry.
მჲზამ ეა მს ოპჲეაეამ კპჱნვნ კაოსრ ნა ვჟკთმ.

you would tell me right? you wouldn't sugar coat it cause with things like that.
მჲზვ კპთჟრთ ეა ვ ოპაგა ჱა ჲნჲგა ჱა რპთრვ დჲეთნთ...

her coat snagged my purse, and i felt that button pop, and they're blind if they can't find it.
ნვ£ჱთნთჲრ კაოსრ ჟვ ეჲოპვ ეჲ მჲ£არა ფანრა თ ჟლსქნაგ კჲდა კჲოფვრჲ ოაენა. რთვ ჟვ ჟლვოთ აკჲ ნვ მჲზარ ეა დჲ ოპჲნა£ეარ.

the christ-like self-portrait above was painted in 1500, shortly before dürer’s 29th birthday. the painting was made in oil on a wooden panel, and is now in the collection of the alte pinakothek in munich. unlike his earlier self-portraits, which were composed in the customary three-quarters view, dürer’s self-portrait of 1500 depicts the artist faced squarely toward the viewer — a pose usually reserved at that time for images of christ. his hand, touching the fur collar of his coat, brings to mind the gestures of blessing in religious icons. the highly symmetric composition draws attention to the eyes, which gaze directly at the viewer. the artist’s monogram, “ad,” and the latin inscription — “i, albrecht dürer of nuremberg, portrayed myself in everlasting colors aged twenty-eight years” — are placed at eye-level to strengthen the effect. the year “1500″ is written directly above the monogram, giving the “ad” a second meaning as anno domini, which further reinforces the connection between dürer and christ. the art historian joseph koerner has suggested that the entire composition, from the triangular outline of the frontal likeness to the curve of dürer’s fingers, echoes the overarching “a” and nestled “d” of the artist’s monogram. “nothing we see in a dürer is not dürer’s,” writes koerner, “monogram or not.”
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