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royal nobel consort
maharlik na asawa

byrd’s musical stature can hardly be overrated. he wrote extensively for every medium then available except, it seems, the lute. his virginal and organ music brought the english keyboard style to new heights and pointed the way to the achievements of other english composers, such as john bull, giles farnaby, orlando gibbons, and thomas tomkins. in music for viol consort he also played an extremely important role, pioneering the development of the freely composed fantasia, which was to become t
byrd’s musical stature can hardly be overrated. he wrote extensively for every medium then available except, it seems, the lute. his virginal and organ music brought the english keyboard style to new heights and pointed the way to the achievements of other english composers, such as john bull, giles farnaby, orlando gibbons, and thomas tomkins. in music for viol consort he also played an extremely important role, pioneering the development of the freely composed fantasia, which was to become the most important form of jacobean and later composers. although he admired italian madrigals and as a publisher helped introduce them to england, byrd’s own secular vocal music is distinctly conservative; much of it is conceived for the old-fashioned medium of solo voice accompanied by viol consort, which was later abandoned by the english madrigalists, with thomas morley (byrd’s pupil) at their head. byrd sometimes added texts to the polyphonic accompaniments of these songs, in effect making them madrigals.