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ambar labruna está en franco y pleno proceso de elaboración y procesamiento de un mundo cuyos primeros atisbos auspician el enriquecimiento de la acuarela y han de permitir la ampliación de un horizonte como artista.
ambar labruna is in a clear and plain process of elaborating and processing a world whose first cautious observation promotes the water colors’ enrichment and will permit the enlargement of a new horizon as an artist. claramunt art gallery: echoes of an exhibition
en lo que nos interesa de su trayectoria, que es precisamente el cultivo de la acuarela, ambar labruna presenta un abordaje al cúmulo de seducciones que la acuarela propone en el cual se vinculan la tradición y el impulso renovador.
the interest in her pictorial history, which is precisely the culture of water colors, ambar labruna takes on a large quantity of seductions that water colors offer in which both tradition and the renovation impulse are bonded. it will be equally interesting to study what there is behind her womanhood in the formation of her work; it’s a fact that the intrinsic characteristics of water colors have made her particularly cultivated in the female genre.
ambar labruna no puede ocultar que es alumna de quién domina todas las estrategias del acuarelista, dante picarelli, pero esto no es un desmedro para la artista sino un instrumental, según lo que ha venido viendo, según lo que la tradición le ha enseñado.
ambar can’t hide that she is a pupil of who dominates all the water color strategies, dante picarelli, but this does not go against her as an artist, on the contrary it is a tool, as far as what she’s being seeing, according to the taught tradition.
* 2004 : claude lelouch (presidente), anouk aimée, marie-josée croze, danièle heymann, diane kurys, jeanne labrune, lio, claudie ossard, bettina rheims y mathilde seigner.
* 2004 : claude lelouch (president), anouk aimée, marie-josée croze, danièle heymann, diane kurys, jeanne labrune, lio, claudie ossard, bettina rheims and mathilde seigner.
