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"to kill a mockingbird".
"to kill a mockingbird".

"to kill a mockingbird: threatening boundaries.
"to kill a mockingbird: threatening boundaries.

"critical insights: to kill a mockingbird by harper lee", salem press: 2010.
"critical insights: to kill a mockingbird by harper lee", salem press: 2010.

"racism in harper lee's to kill a mockingbird", the gale group.
"racism in harper lee's to kill a mockingbird", the gale group.

"understanding to kill a mockingbird: a student casebook to issues, sources, and historic documents.
"understanding to kill a mockingbird: a student casebook to issues, sources, and historic documents.

) "scout, atticus, and boo: a celebration of fifty years of to kill a mockingbird", harpercollins publishers: 2010.
) "scout, atticus, and boo: a celebration of fifty years of to kill a mockingbird", harpercollins publishers: 2010.

hizo su debut teatral en "to kill a mockingbird" cuando tenía 9 años, y poco después se convirtió en una asidua de la escena local.
she made her stage debut in "to kill a mockingbird" when she was 9 years old, and soon after she became a regular on her local stage.

la figura del padre entre dos obras de arte generacionales: matar a un ruiseñor (to kill a mockingbird) y el árbol de la vida (the tree of life)
the father figure in the two generational works of art: “to kill a mockingbird” and “the tree of life”

*"how to kill a country," "atlantic monthly", december, 2003.
*"how to kill a country," "atlantic monthly", december, 2003.

* olga nedeljković, "do supernatural elements exist in borislav pekić's "how to kill a vampire": the poetics of a magical umbrella", «serbian studies» 15 (1), 35-49, 2001; (pdf).
*olga nedeljković, "do supernatural elements exist in borislav pekić’s "how to quite a vampire": the poetics of a magical umbrella", "serbian studies" 15 (1), 35-49, 2001; (pdf).