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Inglês

A man appeared at the door.

Tagalo

Isang lalaki ang sumipot sa pintuan.

Última atualização: 2014-02-01
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Inglês

nang yai or nang talung appeared first

Tagalo

Nang yai o Nang Talung lumabas muna

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Inglês

Life, a miracle in the universe, appeared around 4 billion years ago.

Tagalo

Buhay, isang mirakulo ng mundo, lumabas apat na bilyong taong nakaraan.

Última atualização: 2016-10-27
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Inglês

We would like to invite your child as one of the participants of our study. We will assure you that your child's personal identity will not be appeared in this research

Tagalo

Kami ang grade 11 nitrogen ay kasalukuyang nagsasagawa ng aming pananaliksik

Última atualização: 2020-02-20
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Inglês

But then, when all hope had died, and the hour of doom seemed at hand... a young boy clothed in green appeared as if from nowhere. Wielding the blade of evil's bane, he sealed the dark one away and gave the land light.

Tagalo

Ngunit pagkatapos, kapag ang lahat ng pag-asa ay nawala, at ang oras ng pagkagunaw ay tila malapit na ... isang batang lalaki na nakasuot ng berde ang lilitaw na kung saan. Paghahawak sa talim ng spada ng kasamaan, tinatakan niya ang dilim at binigyan ng ilaw ang lupain.

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Inglês

I Once when I was six years old I saw a magnificent picture in a book, called True Stories from Nature, about the primeval forest. It was a picture of a boa constrictor in the act of swallowing an animal. Here is a copy of the drawing. Boa In the book it said: "Boa constrictors swallow their prey whole, without chewing it. After that they are not able to move, and they sleep through the six months that they need for digestion." I pondered deeply, then, over the adventures of the jungle. And after some work with a colored pencil I succeeded in making my first drawing. My Drawing Number One. It looked something like this: Hat I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them. But they answered: "Frighten? Why should any one be frightened by a hat?" My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant. But since the grown-ups were not able to understand it, I made another drawing: I drew the inside of a boa constrictor, so that the grown-ups could see it clearly. They always need to have things explained. My Drawing Number Two looked like this: Elephant inside the boa The grown-ups' response, this time, was to advise me to lay aside my drawings of boa constrictors, whether from the inside or the outside, and devote myself instead to geography, history, arithmetic, and grammar. That is why, at the age of six, I gave up what might have been a magnificent career as a painter. I had been disheartened by the failure of my Drawing Number One and my Drawing Number Two. Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them. So then I chose another profession, and learned to pilot airplanes. I have flown a little over all parts of the world; and it is true that geography has been very useful to me. At a glance I can distinguish China from Arizona. If one gets lost in the night, such knowledge is valuable. In the course of this life I have had a great many encounters with a great many people who have been concerned with matters of consequence. I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that hasn't much improved my opinion of them. Whenever I met one of them who seemed to me at all clear-sighted, I tried the experiment of showing him my Drawing Number One, which I have always kept. I would try to find out, so, if this was a person of true understanding. But, whoever it was, he, or she, would always say: "That is a hat." Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I would talk to him about bridge, and golf, and politics, and neckties. And the grown-up would be greatly pleased to have met such a sensible man. II So I lived my life alone, without anyone that I could really talk to, until I had an accident with my plane in the Desert of Sahara, six years ago. Something was broken in my engine. And as I had with me neither a mechanic nor any passengers, I set myself to attempt the difficult repairs all alone. It was a question of life or death for me: I had scarcely enough drinking water to last a week. The first night, then, I went to sleep on the sand, a thousand miles from any human habitation. I was more isolated than a shipwrecked sailor on a raft in the middle of the ocean. Thus you can imagine my amazement, at sunrise, when I was awakened by an odd little voice. It said: "If you please--draw me a sheep!" "What!" "Draw me a sheep!" I jumped to my feet, completely thunderstruck. I blinked my eyes hard. I looked carefully all around me. And I saw a most extraordinary small person, who stood there examining me with great seriousness. Here you may see the best portrait that, later, I was able to make of him. But my drawing is certainly very much less charming than its model. The Little prince That, however, is not my fault. The grown-ups discouraged me in my painter's career when I was six years old, and I never learned to draw anything, except boas from the outside and boas from the inside. Now I stared at this sudden apparition with my eyes fairly starting out of my head in astonishment. Remember, I had crashed in the desert a thousand miles from any inhabited region. And yet my little man seemed neither to be straying uncertainly among the sands, nor to be fainting from fatigue or hunger or thirst or fear. Nothing about him gave any suggestion of a child lost in the middle of the desert, a thousand miles from any human habitation. When at last I was able to speak, I said to him: "But--what are you doing here?" And in answer he repeated, very slowly, as if he were speaking of a matter of great consequence: "If you please--draw me a sheep..." When a mystery is too overpowering, one dare not disobey. Absurd as it might seem to me, a thousand miles from any human habitation and in danger of death, I took out of my pocket a sheet of paper and my fountain-pen. But then I remembered how my studies had been concentrated on geography, history, arithmetic and grammar, and I told the little chap (a little crossly, too) that I did not know how to draw. He answered me: "That doesn't matter. Draw me a sheep..." But I had never drawn a sheep. So I drew for him one of the two pictures I had drawn so often. It was that of the boa constrictor from the outside. And I was astounded to hear the little fellow greet it with: "No, no, no! I do not want an elephant inside a boa constrictor. A boa constrictor is a very dangerous creature, and an elephant is very cumbersome. Where I live, everything is very small. What I need is a sheep. Draw me a sheep." So then I made a drawing. Sick sheep He looked at it carefully, then he said: "No. This sheep is already very sickly. Make me another." So I made another drawing. A ram. My friend smiled gently and indulgently. "You see yourself," he said, "that this is not a sheep. This is a ram. It has horns." So then I did my drawing over once more. But it was rejected too, just like the others. "This one is too old. I want a sheep that will live a long time." Old sheep By this time my patience was exhausted, because I was in a hurry to start taking my engine apart. So I tossed off this drawing. Sheep in the box And I threw out an explanation with it. "This is only his box. The sheep you asked for is inside." I was very surprised to see a light break over the face of my young judge: "That is exactly the way I wanted it! Do you think that this sheep will have to have a great deal of grass?" "Why?" "Because where I live everything is very small..." "There will surely be enough grass for him," I said. "It is a very small sheep that I have given you." He bent his head over the drawing. "Not so small that--Look! He has gone to sleep..." And that is how I made the acquaintance of the little prince. III It took me a long time to learn where he came from. The little prince, who asked me so many questions, never seemed to hear the ones I asked him. It was from words dropped by chance that, little by little, everything was revealed to me. The first time he saw my airplane, for instance (I shall not draw my airplane; that would be much too complicated for me), he asked me: The Little prince "What is that object?" "That is not an object. It flies. It is an airplane. It is my airplane." And I was proud to have him learn that I could fly. He cried out, then: "What! You dropped down from the sky?" "Yes," I answered, modestly. "Oh! That is funny!" And the little prince broke into a lovely peal of laughter, which irritated me very much. I like my misfortunes to be taken seriously. Then he added: "So you, too, come from the sky! Which is your planet?" At that moment I caught a gleam of light in the impenetrable mystery of his presence; and I demanded, abruptly: "Do you come from another planet?" But he did not reply. He tossed his head gently, without taking his eyes from my plane: "It is true that on that you can't have come from very far away..." And he sank into a reverie, which lasted a long time. Then, taking my sheep out of his pocket, he buried himself in the contemplation of his treasure. You can imagine how my curiosity was aroused by this half-confidence about the "other planets." I made a great effort, therefore, to find out more on this subject. "My little man, where do you come from? What is this 'where I live,' of which you speak? Where do you want to take your sheep?" After a reflective silence he answered: "The thing that is so good about the box you have given me is that at night he can use it as his house." "That is so. And if you are good I will give you a string, too, so that you can tie him during the day, and a post to tie him to." But the little prince seemed shocked by this offer: The Little prince and stars "Tie him! What a queer idea!" "But if you don't tie him," I said, "he will wander off somewhere, and get lost." My friend broke into another peal of laughter: "But where do you think he would go?" "Anywhere. Straight ahead of him." Then the little prince said, earnestly: "That doesn't matter. Where I live, everything is so small!" And, with perhaps a hint of sadness, he added: "Straight ahead of him, nobody can go very far..." IV I had thus learned a second fact of great importance: this was that the planet the little prince came from was scarcely any larger than a house! But that did not really surprise me much. I knew very well that in addition to the great planets--such as the Earth, Jupiter, Mars, Venus--to which we have given names, there are also hundreds of others, some of which are so small that one has a hard time seeing them through the telescope. When an astronomer discovers one of these he does not give it a name, but only a number. He might call it, for example, "Asteroid 325". I have serious reason to believe that the planet from which the little prince came is the asteroid known as B-612. This asteroid has only once been seen through the telescope. That was by a Turkish astronomer, in 1909. Star-gazer On making his discovery, the astronomer had presented it to the International Astronomical Congress, in a great demonstration. But he was in Turkish costume, and so nobody would believe what he said. Grown-ups are like that... Fortunately, however, for the reputation of Asteroid B-612, a Turkish dictator made a law that his subjects, under pain of death, should change to European costume. So in 1920 the astronomer gave his demonstration all over again, dressed with impressive style and elegance. And this time everybody accepted his report. Turkish astronomer If I have told you these details about the asteroid, and made a note of its number for you, it is on account of the grown-ups and their ways. When you tell them that you have made a new friend, they never ask you any questions about essential matters. They never say to you, "What does his voice sound like? What games does he love best? Does he collect butterflies?" Instead, they demand: "How old is he? How many brothers has he? How much does he weigh? How much money does his father make?" Only from these figures do they think they have learned anything about him. If you were to say to the grown-ups: "I saw a beautiful house made of rosy brick, with geraniums in the windows and doves on the roof," they would not be able to get any idea of that house at all. You would have to say to them: "I saw a house that cost $20,000." Then they would exclaim: "Oh, what a pretty house that is!" Just so, you might say to them: "The proof that the little prince existed is that he was charming, that he laughed, and that he was looking for a sheep. If anybody wants a sheep, that is a proof that he exists." And what good would it do to tell them that? They would shrug their shoulders, and treat you like a child. But if you said to them: "The planet he came from is Asteroid B-612," then they would be convinced, and leave you in peace from their questions. European astronomer They are like that. One must not hold it against them. Children should always show great forbearance toward grown-up people. But certainly, for us who understand life, figures are a matter of indifference. I should have liked to begin this story in the fashion of the fairy-tales. I should have like to say: "Once upon a time there was a little prince who lived on a planet that was scarcely any bigger than himself, and who had need of a sheep..." To those who understand life, that would have given a much greater air of truth to my story. For I do not want any one to read my book carelessly. I have suffered too much grief in setting down these memories. Six years have already passed since my friend went away from me, with his sheep. If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures... It is for that purpose, again, that I have bought a box of paints and some pencils. It is hard to take up drawing again at my age, when I have never made any pictures except those of the boa constrictor from the outside and the boa constrictor from the inside, since I was six. I shall certainly try to make my portraits as true to life as possible. But I am not at all sure of success. One drawing goes along all right, and another has no resemblance to its subject. I make some errors, too, in the little prince's height: in one place he is too tall and in another too short. And I feel some doubts about the color of his costume. So I fumble along as best I can, now good, now bad, and I hope generally fair-to-middling. In certain more important details I shall make mistakes, also. But that is something that will not be my fault. My friend never explained anything to me. He thought, perhaps, that I was like himself. But I, alas, do not know how to see sheep through the walls of boxes. Perhaps I am a little like the grown-ups. I have had to grow old. V As each day passed I would learn, in our talk, something about the little prince's planet, his departure from it, his journey. The information would come very slowly, as it might chance to fall from his thoughts. It was in this way that I heard, on the third day, about the catastrophe of the baobabs. This time, once more, I had the sheep to thank for it. For the little prince asked me abruptly--as if seized by a grave doubt--"It is true, isn't it, that sheep eat little bushes?" "Yes, that is true." "Ah! I am glad!" I did not understand why it was so important that sheep should eat little bushes. But the little prince added: "Then it follows that they also eat baobabs?" I pointed out to the little prince that baobabs were not little bushes, but, on the contrary, trees as big as castles; and that even if he took a whole herd of elephants away with him, the herd would not eat up one single baobab. The idea of the herd of elephants made the little prince laugh. "We would have to put them one on top of the other," he said. Elephans on the planet But he made a wise comment: "Before they grow so big, the baobabs start out by being little." "That is strictly correct," I said. "But why do you want the sheep to eat the little baobabs?" He answered me at once, "Oh, come, come!", as if he were speaking of something that was self-evident. And I was obliged to make a great mental effort to solve this problem, without any assistance. Indeed, as I learned, there were on the planet where the little prince lived--as on all planets--good plants and bad plants. In consequence, there were good seeds from good plants, and bad seeds from bad plants. But seeds are invisible. They sleep deep in the heart of the earth's darkness, until some one among them is seized with the desire to awaken. Then this little seed will stretch itself and begin--timidly at first--to push a charming little sprig inoffensively upward toward the sun. If it is only a sprout of radish or the sprig of a rose-bush, one would let it grow wherever it might wish. But when it is a bad plant, one must destroy it as soon as possible, the very first instant that one recognizes it. Chare of the planet Now there were some terrible seeds on the planet that was the home of the little prince; and these were the seeds of the baobab. The soil of that planet was infested with them. A baobab is something you will never, never be able to get rid of if you attend to it too late. It spreads over the entire planet. It bores clear through it with its roots. And if the planet is too small, and the baobabs are too many, they split it in pieces... "It is a question of discipline," the little prince said to me later on. "When you've finished your own toilet in the morning, then it is time to attend to the toilet of your planet, just so, with the greatest care. You must see to it that you pull up regularly all the baobabs, at the very first moment when they can be distinguished from the rosebushes which they resemble so closely in their earliest youth. It is very tedious work," the little prince added, "but very easy." And one day he said to me: "You ought to make a beautiful drawing, so that the children where you live can see exactly how all this is. That would be very useful to them if they were to travel some day. Sometimes," he added, "there is no harm in putting off a piece of work until another day. But when it is a matter of baobabs, that always means a catastrophe. I knew a planet that was inhabited by a lazy man. He neglected three little bushes..." So, as the little prince described it to me, I have made a drawing of that planet. I do not much like to take the tone of a moralist. But the danger of the baobabs is so little understood, and such considerable risks would be run by anyone who might get lost on an asteroid, that for once I am breaking through my reserve. "Children," I say plainly, "watch out for the baobabs!" My friends, like myself, have been skirting this danger for a long time, without ever knowing it; and so it is for them that I have worked so hard over this drawing. The lesson which I pass on by this means is worth all the trouble it has cost me. Baobabs Perhaps you will ask me, "Why are there no other drawing in this book as magnificent and impressive as this drawing of the baobabs?" The reply is simple. I have tried. But with the others I have not been successful. When I made the drawing of the baobabs I was carried beyond myself by the inspiring force of urgent necessity. VI Oh, little prince! Bit by bit I came to understand the secrets of your sad little life... For a long time you had found your only entertainment in the quiet pleasure of looking at the sunset. I learned that new detail on the morning of the fourth day, when you said to me: "I am very fond of sunsets. Come, let us go look at a sunset now." "But we must wait," I said. "Wait? For what?" "For the sunset. We must wait until it is time." At first you seemed to be very much surprised. And then you laughed to yourself. You said to me: "I am always thinking that I am at home!" Just so. Everybody knows that when it is noon in the United States the sun is setting over France. If you could fly to France in one minute, you could go straight into the sunset, right from noon. Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like... "One day," you said to me, "I saw the sunset forty-four times!" And a little later you added: "You know--one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?" But the little prince made no reply. Sunsets

Tagalo

Última atualização: 2020-05-12
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Inglês

Sandreyn had two suitors Ralph and Marwin. She did not openly show her preference but on two occasions, accepted Marwin’s invitation to concerts. Ralph was a working student and could only ask Sandreyn to see a movie which was declined. Ralph felt insulted and made plans to get even with Marwin by scaring him off somehow. One day, he entered Marwin’s room in their boarding house and placed a rubber snake which appeared to be real in Marwin’s backpack, because Marwin had a weak heart, he s

Tagalo

May dalawang suitors si Sandreyn na sina Ralph at Marwin. Hindi niya hayag na ipinakita ang kanyang kagustuhan ngunit sa dalawang pagkakataon, tinanggap ang paanyaya ni Marwin sa mga konsyerto. Si Ralph ay isang mag-aaral na nagtatrabaho at maaari lamang hilingin kay Sandreyn na makakita ng pelikula na tinanggihan. Nakaramdam si Ralph ng pang-iinsulto at gumawa ng mga plano upang makasama si Marwin sa pamamagitan ng pag-scaring sa kanya kahit papaano. Isang araw, pinasok niya ang silid ni Marwin sa kanilang boarding house at naglagay ng isang goma ahas na tila totoo sa backpack ni Marwin, dahil may mahinang puso si Marwin,

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Inglês

Marx maintained that these conflicts appeared consistently throughout history during times of social revolution. These revolutions or “class antagonisms” as he called them, were a result of one class dominating another. Most recently, with the end of feudalism, a new revolutionary class he called the bourgeoisie dominated the proletariat laborers. The bourgeoisie were revolutionary in the sense that they represented a radical change in the structure of society. In Marx’s words, “Society

Tagalo

Pinananatili ni Marx na ang mga salungatan na ito ay patuloy na lumitaw sa buong kasaysayan sa mga oras ng rebolusyong panlipunan. Ang mga rebolusyon o "class antagonism" na tinawag niya ito, ay bunga ng isang klase na nangingibabaw sa iba. Karamihan sa mga kamakailan lamang, sa pagtatapos ng pyudalismo, isang bagong rebolusyonaryong klase na tinawag niyang burgesya na namuno sa proletaryado na mga manggagawa. Ang bourgeoisie ay rebolusyonaryo sa kahulugan na kinakatawan nila ang isang radikal na pagbabago sa istruktura ng lipunan. Sa mga salita ni Marx, "Lipunan

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Inglês

AUTHORITY TO DEDUCTI hereby authorize you to deduct from my salary the sum of ____________________________ (P_____________) for ___consecutive months beginning ______________________ andtoremit the said amount tothePHILIPPINE PUBLIC SCHOOL TEACHERS ASSOCIATION(PPSTA)in consideration of myloan in the principal amount of ____________________ (P_____________) plus add-on interest and other charges, which was granted to me on _______________________.This authorization is VALID AND BINDING until my aforementioned loan is fully paid for or upon writtennoticeof its discontinuance bythe PPSTA.PROMISSORY NOTEFor value received, the undersigned promises to pay to the order of the PHILIPPINE PUBLIC SCHOOL TEACHERS ASSOCIATION at its officelocated at245 Banawe St. Quezon City, Philippines,through APDS,the sum of PESOS ______________________________ (P_______________) with interest rate of ___________ percent (___%) per annum, TO BE PAID IN EQUAL MONTHLY INSTALLMENTS IN THE AMOUNT OF P _____________ FOR ________ MONTHS, BEGINNING _____________________ ANDENDING _________________.Default in the payment for six (6) consecutive installments shall render the entire unpaid balance due and demandable.IN WITNESS WHEREOF, I have hereunto set my hand this ____day of ___________________at ___________________.___________________________________________(Signature Over Printed name of Borrower)Employee No._________Division No.____ Station No.____CTC No. School or Station Address____________________________Date Issued_________________________________________________Place IssuedHome Address: ____________________________________Telephone No.: _________________________________________________ACKNOWLEDGMENTREPUBLIC OF THE PHILIPPINES)CITY OF _____________________) S.SX-----------------------------------------)BEFORE ME, A Notary Public in and for the above jurisdiction, this ___day of __________________ 200___ personally appeared _________________________________ with Community Tax Certificate No. ______________ issued at _____________________________ on ____________________ known to me and tome known to be the same personwho executed the foregoing instrument and acknowledgedto me that the same is his/her free and voluntary act and deed.WITNESS MY HAND AND NOTARIALSEAL on the dateandplace first above-written.NOTARY PUBLICDoc. No.________________Page No.________________Book No. _______________Series of ________________

Tagalo

awtoridad na ibawas ang sample letter

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Inglês

the son of the life of fernando monleonThe moon moon appeared to look at the sight of me a sultanang liwanagna was looking forward to my love ... In the light of the white voyage of my eyes I'm traveling heavenly spoils the dreams of nature a momentary day I wander in my darkness in the shadows of shadows, in the light of love, in love, dreams, dreams, dreams of life; of the

Tagalo

soneto ng buhay ni fernando monleonAng palabang buwang lumantad sumilip sa abot tanaw ko’y sultanang liwanagna napapaaasam sa aking pag ibig…Sa lunday ng puting kabigin itulakpati paningin ko’y naglalakbay langitaling pusokaya ang di mangangarapkung ang kalikasan isang panginipmadaling araw na akoy gumisingumigpa sa akingmanlulumong diwaang mga anino niring panimdimang dalitang uuring malimot na kusaPangarap,pangarap,pangarap ang buhay,kaalibinganmbit:ligayat:katapat; of the

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Inglês

This story was written during American Colonization, when the colonizers introduced English to the education system, along with American culture. Characters Period it was written "Greta Garbo", a short story depicts a young Filipina woman, Monina Vargas, who greatly idealizes the American actress Greta Garbo. This short story shows Monina inside a train headed to Baguio. While she waits for her boyfriend, Octavio who she refers to as John, the reader witnesses the flashbacks and gets to learn more about her personality. Monina gets out of the train Author describes Monina's characteristics: small eyes, "tabis tari" ng manok ang eyebrow, has a very small face (looks like mestisa), has a small mouth and thin lips She calls herself "GG", and also uses it for letters and signatures Gives pictures of herself to her friends Greta Garbo is an American actress, Monina's ideal person Watches all her shows John Gilbert and Greta Garbo appeared together in a few films Became a real-life couple In the story, Octavio Razon is Monina's "John Gilbert" Octavio is a pilot Had wrinkles on her forehead Enjoyed skating Flashback of how she and Octavio first met and all the men that dated Monina "Talaang ginto" Why Octavio: experienced a "drunken" type of love; passionate hugs and deep kisses Back to the present Case of mistaken identity 3 days before tickets bought Tribune magazine society page Sees a picture of Octavio with his wife Monina is indecisive about whether to stay or go Out of disbelief, she jumps off the train Falls and hurts face THE END Significance of Greta Garbo

Tagalo

This story was written during American Colonization, when the colonizers introduced English to the education system, along with American culture. Characters Period it was written "Greta Garbo", a short story depicts a young Filipina woman, Monina Vargas, who greatly idealizes the American actress Greta Garbo. This short story shows Monina inside a train headed to Baguio. While she waits for her boyfriend, Octavio who she refers to as John, the reader witnesses the flashbacks and gets to learn more about her personality. Monina gets out of the train Author describes Monina's characteristics: small eyes, "tabis tari" ng manok ang eyebrow, has a very small face (looks like mestisa), has a small mouth and thin lips She calls herself "GG", and also uses it for letters and signatures Gives pictures of herself to her friends Greta Garbo is an American actress, Monina's ideal person Watches all her shows John Gilbert and Greta Garbo appeared together in a few films Became a real-life couple In the story, Octavio Razon is Monina's "John Gilbert" Octavio is a pilot Had wrinkles on her forehead Enjoyed skating Flashback of how she and Octavio first met and all the men that dated Monina "Talaang ginto" Why Octavio: experienced a "drunken" type of love; passionate hugs and deep kisses Back to the present Case of mistaken identity 3 days before tickets bought Tribune magazine society page Sees a picture of Octavio with his wife Monina is indecisive about whether to stay or go Out of disbelief, she jumps off the train Falls and hurts face THE END Significance of Greta Garbo

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Inglês

This story was written during American Colonization, when the colonizers introduced English to the education system, along with American culture. Characters Period it was written "Greta Garbo", a short story depicts a young Filipina woman, Monina Vargas, who greatly idealizes the American actress Greta Garbo. This short story shows Monina inside a train headed to Baguio. While she waits for her boyfriend, Octavio who she refers to as John, the reader witnesses the flashbacks and gets to learn more about her personality. Monina gets out of the train Author describes Monina's characteristics: small eyes, "tabis tari" ng manok ang eyebrow, has a very small face (looks like mestisa), has a small mouth and thin lips She calls herself "GG", and also uses it for letters and signatures Gives pictures of herself to her friends Greta Garbo is an American actress, Monina's ideal person Watches all her shows John Gilbert and Greta Garbo appeared together in a few films Became a real-life couple In the story, Octavio Razon is Monina's "John Gilbert" Octavio is a pilot Had wrinkles on her forehead Enjoyed skating Flashback of how she and Octavio first met and all the men that dated Monina "Talaang ginto" Why Octavio: experienced a "drunken" type of love; passionate hugs and deep kisses Back to the present Case of mistaken identity 3 days before tickets bought Tribune magazine society page Sees a picture of Octavio with his wife Monina is indecisive about whether to stay or go Out of disbelief, she jumps off the train Falls and hurts face THE END Significance of Greta Garbo

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greta garbo

Última atualização: 2018-11-13
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Inglês

Archaeology indicates that Cagayan has been inhabited for half a million years, though no human remains of any such antiquity have yet appeared. The earliest inhabitants are the Agta, or Atta, food-gatherers who roam the forests without fixed abodes. A large tract of land has lately been returned to them.[citation needed] The bulk of the population are of Malay origin. For centuries before the coming of the Spanish, the inhabitants traded with Indians, Malays, Chinese, and Japanese. In the nineteenth century the prosperity found in tobacco cultivation caused many Ilokano to settle here. Tobacco is still a major factor in the economy of Cagayan, though a special economic zone and free port has been created to strengthen and diversify the provincial economy. During Spanish times Cagayan Valley had a larger territory than what it has today. It included the territories of the above-mentioned provinces and the eastern parts of the Cordillera provinces of Apayao, Kalinga, Ifugao and Benguet. As the historian and missionary Jose Burgues, said, "The old Cagayan Valley comprises the province of Cagayan, Isabela and Nueva Vizcaya as well as the military Districts of Apayao, Itaves, Quiangan, Cayapa and Bintangan, plus the area of the Sierra Madre to the Pacific Ocean in the said trajectory."[3] During World War II at Balete Pass in Nueva Vizcaya, the retreating Japanese under General Tomoyuki Yamashita dug in and held on for three months against the American and Filipino forces who eventually drove them out; the pass is now called Dalton Pass in honor of General Dalton, USA, who was killed in the fighting.

Tagalo

rehiyon 2

Última atualização: 2017-09-24
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Inglês

literal Velan was a carpenter. He was living in a village. His mother dies a long time back. His aged father, Kuppan, lived with Velan. Kuppan was very weak. He could not even walk well. He was so weak. It was because Velan did not give him enough food. He had given his father a small earthen plate. Even a small quantity of rice in the plate appeared to be much. Velan was a bad man. He was a drunkard also. After taking drinks, he abused his father badly. Velan had a son. His name is Muthu. Muthu was just ten years old. He was a very good boy. He loved his grandfather. He had great respect for his grandfather. He did not like his father’s attitude and character, because his father was treating his grandfather cruelly. One day Kuppan was eating his food out of earthen plate that his son had given to him. The earthen plate fell down. The plate broke into pieces. The food also fell on the floor. Velan was working at the other end of the room. He saw the broken plate. He was very angry with his father and used very harsh words to abuse his father. The old man felt bad about what happened. He was sorry for his mistake. Velan’s words wounded him very deeply. Velan’s son, Muthu, saw this. He did not like his father. His father was ill-treating his grandfather. He was afraid to speak against his father. He was sad about his grandfather. But he was not powerful to stand in support of his grandfather. The next day Muthu took some of his father’s carpentry tools and a piece of wood. He worked with the tools to make a wooden plate. His father saw him working. “What are you making, Muthu?" he asked. “I am making a wooden plate!" replied Muthu. “A wooden plate! What for?" asked his father. “I am making it for you, father. When you grow old, like my grandfather, you will need a plate for food. A plate made from earth mat break very easily. Then I may scold you severely. So, I want to give you a wooden plate. It may not break so easily." The carpenter was shocked to hear this. Only now he realized his mistake. His father was kind to Velan He had looked after Velan very well. Now, he was old. Velan was treating his father severely. Velan was now very sad about his own behavior. He realized his mistakes. He then became a different person. From that day, Velan treated his father with great respect. He gave up drinking too. Velan learnt a lesson from his own son. You should honor your parents at all times. It is your duty. It brings you their blessings.

Tagalo

literal

Última atualização: 2017-02-28
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Inglês

consularSPECIAL POWER OF ATTORNEY KNOW ALL MEN BY THESE PRESENTS: I/We, MR. JOEDEL BELMONTE MALAPO, Filipino, Single, of legal age/s, with postal address at #1818 Upo Napico Street, Manggahan 1611 Pasig City, do hereby name, constitute and appoint SANDRA OLAVERA NARON, Filipino, Single, of legal age, residing at #1818 Upo Napico Street, Manggahan 1611 Pasig City whose specimen signature appears below, to be my/our true and lawful Attorney-in-fact, for me/us and in my/our name/s, place and stead, and for my/our own use and benefit to do the following acts and deeds: 1. To acquire the property in paragraph 3 presently covered by Condominium/Transfer Certificate of Title No. ________________ under the name of PROPERTY COMPANY OF FRIENDS INC. and to be registered and transferred in name/s of SANDRA OLAVERA NARON. 2. To apply for, negotiate, and obtain a loan from BDO UNIBANK, Inc (“the Bank”) in the principal amount not exceeding (PHP 1,357,300.xx) ONLY, Philippine Currency, (the “Loan”), or any such higher amount as may be approved by the Bank ,at such terms and conditions as may be agreed by my attorney-in-fact with the Bank: 3. To encumber or assign and convey by way of FIRST MORTGAGE unto the Bank, its successors and assigns my/our property/ies described below, including its appurtenant parking space, laundry area, drying area, ledge, garden area, balcony, if any, as security for the prompt payment of the Loan, including its renewals, extensions, rescheduling, restructuring, reavailments or amendments thereof: Location Current TCT/ CCT No., Registry of Deeds & Registered Owner To be transferred to Block 11 Lot 3 Kensington 6 Barangay Navarro, General Trias, Cavite TCT/ CCT No. _______________ Province of Cavite PROPERTY COMPANY OF FRIENDS INC. SANDRA OLAVERA NARON 4. To indicate, confirm and instruct the Bank on the mode of payment for my/our above Loan, including without limitation, to authorize the Bank to automatically debit from my/our account with the Bank’s __________________ Branch under Account No. __________________ (the “Account”) for any and all payments/amounts which may be due from me/us under the said Loan and/or the facility obtained in accordance with paragraph 8 below, as my/our attorney-in-fact may deem appropriate or necessary; 5. To make, sign, execute, and deliver contracts, documents, agreements, and other writings of whatever nature or kind, such as but not limited to Promissory Note(s), the Deed of Real Estate Mortgage / Mortgage Loan Agreement, Deed of Undertaking, Automatic Debit Authority and all other documents (including without limitation, the enrollment form for any Mortgage Redemption/Credit Life Insurance or other bond/insurance requirements and/or any renewal thereof, and such petitions, warranties, representations and undertakings in relation to the condition of the foregoing property and the delivery of title over the same to the Bank, free and clear from any liens and encumbrances), with the Bank any and all third persons, concerns, or entities, as may be necessary or proper in connection with the foregoing upon the terms and conditions as my/our said Attorney-in-fact may, in his / her discretion, deem to be in my/our best interest: 6. To duly receive on my/our behalf the proceeds of the said Loan as well as legal notices or processes directed to me/us in the event of foreclosure or other satisfaction of the suit premised on the Deed of Real Estate Mortgage / Mortgage Loan Agreement or any other document, warranty, agreement to be executed by my/our Attorney-in-fact in favor of the Bank as security for the aforesaid Loan: 7. To claim from the Bank, upon full payment of the credit accommodations / facilities for which my/our property stands as collateral, the Owner’s Duplicate Copy of title aforementioned. 8. To obtain a facility from the Bank in such amount as may be necessary to pay for the insurance policy such as but not limited to mortgage redemption/credit life insurance and fire insurance policy, procured in connection with the Loan, and to sign, execute and deliver application forms, contracts, documents, and agreements, as may be necessary or proper in connection with the facility to be obtained at such terms and conditions as my/our said Attorney-in-fact may, in his/her discretion, deem to be proper, and to claim and receive from the Bank any and all documents in relation to the insurance policy procured and/or facility obtained. 9. To cancel any lien / encumbrance such as but not limited to Sec. 4, Rule 74 of the Revised Rules of Court (Heirs' and / or Creditors' Lien), Sec. 7 of Republic Act No. 26 (An Act Providing A Special Procedure For The Reconstitution of Torrens Certificates of Title Lost or Destroyed), and / or prior mortgage annotations, if any. 10. To do and perform any and all acts necessary for the faithful execution of the foregoing acts and deeds. HEREBY GIVING AND GRANTING unto my/our said Attorney-in-fact full power and authority to do and perform all and every act and thing whatsoever requisite and necessary to be done in and about the premises, as fully to all intents and purposes as I might or could lawfully do if personally present, and hereby ratifying and confirming all that my/our said attorney-in-fact has done, shall lawfully do or cause to be done by virtue of these presents. This Special Power of Attorney shall be valid and subsisting and shall remain in full force and effect unless otherwise revoked or amended by me in writing and duly served upon the Bank. IN WITNESS WHEREOF, I have hereunto set my hand this day of _________________ at _______________________. JOEDEL BELMONTE MALAPO Grantor/Principal SANDRA OLAVERA NARON Attorney-in-Fact SIGNED IN THE PRESENCE OF: STEPHANIE JOY M YAO ACKNOWLEDGMENT AND CERTIFICATE OF OATH REPUBLIC OF THE PHILIPPINES) S.S. ____________________________ ) BEFORE ME, a Notary Public for and in the above jurisdiction personally appeared: Name Competent Evidence of Identity Date & Place Issued JOEDEL BELMONTE MALAPO 409-792-012-000 TIN SANDRA OLAVERA NARON 427-167-706-000 TIN Personally known to or identified by me to be the same person/s who executed the foregoing instrument and he / she / they acknowledged to me that their signature on the instrument was voluntarily affixed for the purposes stated therein, the same is his / her / their own free and voluntary act and deed and they were duly authorized to sign for the person/s or Corporation/s herein represented, and he / she / they further made oath as to the truth of the representation and warranties thereof. This instrument consisting of _________ (___) pages, including this page on which the Acknowledgment is written, has been signed by the party and their instrumental witnesses on each and every page thereof and relates to a Special Power of Attorney granted in favor of _____________________. WITNESS MY HAND AND NOTARIAL SEAL on this day of ______________________________ at ____________________________________ Doc. No. _____________; Page No. _____________; NOTARY PUBLIC Book No. _____________; Series of _____________;ized

Tagalo

consularized

Última atualização: 2016-03-16
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Inglês

A legend on the origin of Paoay Lake in Paoay, Ilocos Norte STORY: Long ago, there was a beautiful village situated on a verdant tropical land. The people living in the village were known for being simple, hardworking and god fearing. These humble villagers built a church out of their skimpy earnings to worship and show respect to their god. Years passed and the village prospered. The people became rich; their wealth has been reflected through their ornate houses, extravagant clothing and glittering jewelries. As pride lingered on every resident, rivalry also sets in. The people worked even more hard to acquire things more than the others. Being very rich, the people forgot to respect god as jealousy took the place of good will. The church was no longer a place of worship but it became an avenue to display the townspeople’s vanity. Whilst the rest of the village residents spent their lives in worldly competition, a couple remained simple and god-fearing. One night an apparition appeared and told them that the village will be destroyed by a flood. The following day, the couple warned their neighbors and told them to revert for them to be spared from the flood. The villagers did not heed their warning but laughed at them. They continued what they’re doing and mocked the couple accusing them of envy. That night, the humble couple heard a voice telling them to leave the village early in the morning. The voice instructed them to go as far as they can and never look back; most especially when they hear a loud thunder and noise. The next day, they couple prepared early and left the village. While on their way, they heard a loud clap of thunder followed by rampaging waters. The villagers were awakened but their shrieks and cries were resounded and died as they were submerged in a pool of muddy water. The fleeing couple was shaken by these cries and loud rumblings. Unconsciously, the woman turned back to look at the village. In an instant, the woman fainted as the husband tried to drag her but they both turned into stone. As years went by, a beautiful lake emerged at the place where the village sank; and is now the famous PAOAY LAKE. Rekindle this fantastic legend by visiting the pretty places in Paoay in Ilocos Norte

Tagalo

MyMemory

Última atualização: 2016-02-27
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Inglês

Graffiti on behalf of Iranian prisoners has appeared in The Netherlands, New Zealand, Sweden, Egypt, many United States cities and beyond, bringing the faces of political prisoners we have grown accustomed to seeing online into a real world environment.

Tagalo

Nagsulputan ang mga graffiti para sa mga bilanggong Iranian sa bansang Netherlands, New Zealand, Sweden, Ehipto, at sa maraming lungsod sa loob at labas ng Estados Unidos, nang sa gayon nabigyan ng mas malinaw na mukha sa totoong buhay ang mga bilanggong pulitikal na matagal na nating nababalitaan online.

Última atualização: 2016-02-24
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Inglês

KNOW ALL MEN BY THESE PRESENTS: I, ____name of testator_____ , Filipino citizen, of legal age, single/married to ___insert name of spouse if any___, born on the ____th of ______________, ____ , a resident of __insert address__ , being of sound and disposing mind and memory, and not acting under undue influence or intimidation from anyone, do hereby declare and proclaim this instrument to be my Last Will and Testament, in English, the language which I am well conversant. And I hereby declare that: I. I desire that should I die, it is my wish to be buried according to the rites of the Roman Catholic Church and interred at our family mausoleum in Manila; II. To my beloved wife _____name of wife_____, I give and bequeath the following property to wit:_________________________ ; III. To my esteemed children, ________________________ and ______________________I give and bequeath the following properties to wit:_______________________________ in equal shares; IV. To my dear brother, __________________________I give and bequeath the following properties to wit:_______________________________. V. To my loyal assistant, __________________________I give and bequeath the following properties to wit:_______________________________. VI. I hereby designate ____name of executor_____ the executor and administrator of this Last Will and Testament, and in his incapacity, I name and designate _____________________ as his substitute. VII. I hereby direct that the executor and administrator of this Last Will and Testament or his substitute need not present any bond; VIII. I hereby revoke, set aside and annul any and all of my other will or testamentary dispositions that I have made, executed, signed or published preceding this Last Will and Testament. IN WITNESS WHEREOF, I have hereunto affixed my signature this ________ day of _____________, 20__, in ________________, Philippines. _______________________________________ (Signature of Testator over Printed Name) ATTESTATION CLAUSE We, the undersigned attesting witnesses, do hereby affirm that the forgoing is the last Will and Testament of ___name of testator___ and we certify that the testator executed this document while of sound mind and memory. That the testator signed this document in our presence, at the bottom of the last page and on the left hand margin of each and every page, and we, in turn, at the testator's behest have witnessed and signed the same in every page thereof, on the left margin, in the presence of the testator and of the notary public, this _____ day of __________, 20__ at____________. ______________________________ ____________________________________________ Signature of Witness Address ______________________________ ____________________________________________ Signature of Witness Address ______________________________ ____________________________________________ Signature of Witness Address JOINT ACKNOWLEDGMENT BEFORE ME, Notary Public for and in the city of ________________, personally appeared: The testator ________________, with CTC No. __________ issued at ___________ on ____________; Witness, ___________________, with CTC No. __________ issued at ___________ on ____________; Witness, ___________________, with CTC No. __________ issued at ___________ on ____________; Witness, ___________________, with CTC No. __________ issued at ___________ on ____________; all known to me to be the same persons who executed the foregoing Will, the first as testator and the last three as instrumental witnesses, and they respectively acknowledged to me that the same as their own free act and deed. This Last Will and Testament consists of __ page/s, including the page on which this acknowledgment is written, and has been signed on the left margin of each and every page thereof by the testator and his witnesses, and sealed with my notarial seal. IN WITNESS WHEREOF, I have hereunto set my hand the day, year, and place above written. Notary Public Doc. No. _____; Page No._____; Book No._____; Series of 20__.

Tagalo

last will and testament

Última atualização: 2015-07-23
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Inglês

Scene 2: An Angel Visits Mary MARY enters from the side and stands near the BASKET OF CLOTHES. MARY begins folding the clothes. NARRATOR God sent the angel Gabriel to Nazareth, a town in Galilee. ANGEL begins sneakily tip-toeing from the side, making their way to stand behind MARY, who doesn’t notice. NARRATOR He was sent to a girl named Mary. The angel greeted her and said... ANGEL 1 (Jumps out from behind MARY) Mary! MARY throws the piece of clothing she was folding in the air. MARY takes a few steps away and hides behind the RECTANGULAR BOX. ANGEL 1 The Lord has given you special favor. He is with you. NARRATOR Mary was very upset because of his words. Mary wondered... MARY stands up and scratches her head. MARY What kind of greeting this could be? NARRATOR But the angel said to her... ANGEL 1 (Holds out a hand out) Do not be afraid, Mary. God is very pleased with you. NARRATOR Then the angel said... The ANGEL reaches into their sash, pulls out the FOLDED LETTER, walks over to the NARRATOR, and hands it to them. The NARRATOR unfolds the letter and glances over it, then looks at the ANGEL quizzically. The ANGEL leans over and whispers in the NARRATOR’S ear. The NARRATOR nods. NARRATOR Ladies and Gentlemen, the angel has informed me that, after a long and tiring trip from heaven, they’d like a little help delivering their long message from God. Any volunteers? (Waits a second.) Ah, yes, you over there. The ANGEL’S MOM OR DAD comes and stands next to the NARRATOR. The NARRATOR hands the LETTER to the ANGEL’S MOM OR DAD. The ANGEL returns to where they were onstage. NARRATOR The angel continued... PARENT NARRATOR You will become pregnant... The ANGEL pats their belly a few times. PARENT NARRATOR And give birth to a son. You must name him Jesus. The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in one hand. PARENT NARRATOR He will be great and will be called the Son of the Most High God. The ANGEL flexes their muscles several times like a body builder. PARENT NARRATOR The Lord God will make him a king like his father David of long ago. The ANGEL grabs the CROWN SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in her other hand. PARENT NARRATOR He will rule forever over his people, who came from Jacob's family. His kingdom will never end. NARRATOR Mary asked the angel... PARENT NARRATOR How can this happen? MARY shrugs. NARRATOR The angel answered... PARENT NARRATOR The Holy Spirit will come to you. The ANGEL reaches up to the sky and slowly lowers their hands to waist level while wiggling their fingers. PARENT NARRATOR The power of the Most High God will cover you. So the holy one that is born will be called the Son of God. ANGEL 1 Nothing is impossible with God. NARRATOR Mary answered... MARY I serve the Lord. May it happen to me just as you said it would. NARRATOR Then the angel left her. The ANGEL exits to the side of the stage. MARY sets the SIGNS back on the back of the stage. MARY puts the clothes in the basket and exits to the side of the stage. Scene 3: An Angel Visits Joseph in a Dream NARRATOR This is how the birth of Jesus Christ came about. JOSEPH enters from the side of the stage, holding a BOUQUET OF FLOWERS. NARRATOR His mother Mary and Joseph had promised to get married. JOSEPH gestures over to the side of the stage for someone to come over. MARY enters in slowly from the side of the stage with a noticeably pregnant belly, holding one hand against the small of her back. NARRATOR But before they started to live together, it became clear that she was going to have a baby. She became pregnant by the power of the Holy Spirit. JOSEPH stares with his mouth open, throws the FLOWERS in the air, and puts his head in his hands. MARY covers her face, crying, and runs, exiting to the side of the stage. NARRATOR Her husband Joseph was a godly man. JOSEPH paces back and forth, pretending to talk to himself. NARRATOR He did not want to put her to shame in public. So he planned to divorce her quietly. NARRATOR But as Joseph was thinking about this... JOSEPH sits down on the RECTANGULAR BOX and poses like the thinker. He slowly leans his head and lays down on the RECTANGULAR BOX to sleep. NARRATOR ...an angel of the Lord appeared to him in a dream. The ANGEL runs in from the side, does a somersault, and jumps up with arms outstretched. NARRATOR The angel said... ANGEL 2 (Holding out one hand to Joseph) Joseph, son of David... JOSEPH sits up, startled. He hides behind the RECTANGULAR BOX. ANGEL 2 Don't be afraid to take Mary home as your wife. PARENT NARRATOR The baby inside her... The ANGEL pats their belly a few times. PARENT NARRATOR ...is from the Holy Spirit. The ANGEL holds out their hands up to the sky and wiggles his fingers while hopping from foot to foot. PARENT NARRATOR She is going to have a son. You must give him the name Jesus. The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand. PARENT NARRATOR That is because he will save his people from their sins. The ANGEL grabs the SAVIOR SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand. After a beat, the ANGEL takes the SIGNS back and sets the where they were before. The ANGEL helps JOSEPH lay back down on the RECTANGULAR BOX. The ANGEL grabs the BLANKET from behind the RECTANGULAR BOX and lays it on JOSEPH. The ANGEL then exits to the side of the stage, doing another somersault as they leave. NARRATOR Joseph woke up. JOSEPH sits up, pulls off the BLANKET, and sets it behind the RECTANGULAR BOX. JOSEPH rubs his eyes with his palms, pinches himself, and stands up. NARRATOR He did what the angel of the Lord commanded him to do. JOSEPH Mary! MARY does a pregnant-style run over to JOSEPH. JOSEPH pats down his torso, as if feeling in his pockets. He then does a “COME ON” gesture towards the NARRATOR. The NARRATOR walks over to JOSEPH and hands him a ring. JOSEPH bows down on one knee. MARY holds a hand, and JOSEPH puts a ring on it. NARRATOR He took Mary home as his wife. JOSEPH and MARY hold hands and exit to the side of the stage. Scene 4: Mary and Joseph Travel to Bethlehem NARRATOR In those days, Caesar Augustus made a law. CAESAR AUGUSTUS enters from the side holding a SCROLL and stands in the center of the stage. CAESAR AUGUSTUS lets the SCROLL roll to the ground and pretends to read it. CAESAR AUGUSTUS Hear ye, hear ye! Let there be a list be made of everyone in the whole Roman world. CAESAR AUGUSTUS exits to the side of the stage. NARRATOR All went to their own towns to be listed. So Joseph went also. He went from the town of Nazareth in Galilee to Judea. The INNKEEPERS enter from the side of stage, holding INNKEEPER SIGNS, with their heads poking out from the cutout of the sign. They stand, spread out in a long line. NARRATOR That is where Bethlehem, the town of David, was. JOSEPH enters from the side, pulling a WAGON with MARY riding in it. MARY is looking very pregnant. NARRATOR He went there with Mary to be listed. Mary was engaged to him. She was expecting a baby. JOSEPH pulls the wagon up to INNKEEPER 1 and knocks on their INNKEEPER SIGN. INNKEEPER 1 No room! JOSEPH pulls the wagon up to INNKEEPER 2 and knocks on their INNKEEPER SIGN. INNKEEPER 2 No room! JOSEPH pulls the wagon up to INNKEEPER 3 and knocks on their INNKEEPER SIGN. INNKEEPER 3 No room! NARRATOR There was no room for them in the inn. The INNKEEPERS exit to the side of the stage. The STABLEKEEPER enters from the side carrying the STABLEKEEPER SIGN and stands in the center of the stage, in front of the RECTANGULAR BOX. JOSEPH pulls the wagon over to the STABLEKEEPER and KNOCKS on their STABLEKEEPER SIGN. STABLEKEEPER There’s room in the barn! JOSEPH gives the STABLEKEEPER a bow of thanks. The STABLEKEEPER exits to the side of the stage. JOSEPH and MARY sit on the RECTANGULAR BOX. The STAGE HANDS carry the MANGER and set it in the middle of the stage. Scene 5: Jesus is Born in a Stable NARRATOR While Joseph and Mary were there, the time came for the child to be born. JOSEPH kneels next to MARY and grabs her hand. He rubs his hand once along her hair. NARRATOR She gave birth to her first baby. JOSEPH reaches behind the RECTANGULAR BOX and grabs the BABY. JOSPEH (Holding the BABY up) It’s a boy! MARY grabs the BLANKET from behind the RECTANGULAR BOX . JOSEPH hands the BABY to MARY. NARRATOR She wrapped him in large strips of cloth. MARY wraps the BABY in the BLANKET. NARRATOR Then she placed him in a manger. MARY places the BABY in the manger. MARY and JOSEPH exit to the side of the stage, taking the WAGON with them. Scene 6: The Angels Visit Shepherds NARRATOR There were shepherds living out in the fields nearby. A group of SHEPHERDS enter from the side of the stage. NARRATOR They were looking after their sheep. A group of children dressed as SHEEP enter from the side of the stage wearing SHEEP HATS and sit down, scattered near the center. NARRATOR It was night. The SHEEP yawn and stretch. The SHEPHERDS run to the side of the stage and grab blankets and pillows. The SHEPHERDS proceed to tuck each of the sheep in by laying then down on the floor, placing a pillow under their heads, and pulling a blanket over them. When the SHEPHERDS are finished, they sit down on or near the RECTANGULAR BOX . NARRATOR An angel of the Lord appeared to them. ANGEL 3 jumps out from the side of the stage with their hands up and stands near the SHEPHERDS. NARRATOR And the glory of the Lord shone around them and they were terrified. The SHEPHERDS kneel and cower in fear, hiding behind the RECTANGULAR BOX. NARRATOR But the angel said to them... ANGEL 3 (Holding out a hand) Do not be afraid. I bring you good news of great joy. PARENT NARRATOR It is for all the people. The ANGEL gestures out toward the audience. PARENT NARRATOR Today in the town of David a Savior has been born to you. He is Christ the Lord. The ANGEL makes the baseball “Safe!” sign with their arms. PARENT NARRATOR Here is how you will know I am telling you the truth. You will find a baby wrapped in strips of cloth... The ANGEL grabs the BABY SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand. PARENT NARRATOR And lying in a manger. The ANGEL grabs the MANGER SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand. NARRATOR Suddenly a large group of angels from heaven also appeared. ANGEL 1 and ANGEL 2 run on stage and stand next to ANGEL 1. NARRATOR They were praising God. They said... ANGELS 1, 2 AND 3 (Raising their hands to the sky) Glory to God in heaven! PARENT NARRATOR And may peace be given to those he is pleased with on earth! NARRATOR The angels left and went into heaven. The ANGELS exit to the side of the stage. NARRATOR Then the shepherds said to one another... SHEPHERDS Let's go to Bethlehem. PARENT NARRATOR Let's see this thing that has happened, which the Lord has told us about." NARRATOR So they hurried off... The SHEPHERDS and all of the SHEEP exit to the right of the stage. NARRATOR They found Mary and Joseph and the baby. MARY and JOSEPH enter from the side of the stage and sit on the RECTANGULAR BOX. NARRATOR The baby was lying in the manger. The SHEPHERDS enter from the side of the stage and kneel around the manger. NARRATOR After the shepherds had seen him, they told everyone. They reported what the angel had said about this child. The SHEPHERDS run all over into the audience, going to various people, putting their hands on their shoulders and saying, “Jesus is born!” After 30 seconds of this, they run to the back of the auditorium and wait. NARRATOR Everyone who heard it were amazed at what the shepherds said to them. (Pauses) I said, everyone who heard it were amazed at what the shepherds said to them. (Gestures to the congregation) CONGREGATION Oooooh! Aaaaaah! NARRATOR But Mary kept all these things like a secret treasure in her heart. MARY picks up the BABY and walks off the side of the stage, looking up contemplatively. JOSEPH exits to the side of the stage after her. NARRATOR She thought about them over and over. NARRATOR The shepherds returned. The SHEPHERDS run from the back on the auditorium and onto the stage. NARRATOR They gave glory and praise to God. The SHEPHERDS to a brief, silly dance of celebration. NARRATOR Everything they had seen and heard was just as they had been told. The SHEPHERDS exit to the side of the stage. THE END

Tagalo

script ng isang comedy-play

Última atualização: 2014-12-27
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Inglês

Is it possible to indicate a date on which a language came into life? "What a question!" you will be inclined to say. And yet such a date exists: the 26th of July, the Day of Esperanto. On this day in 1887 appeared in Warsaw a booklet by Ludwik Lejzer Zamenhof about the "International Language".

Tagalo

Maiitanda ba ang petsa ng may naging wika? "Anong klaseng tanong!" ang masasabi. Gayon man, may petsang ganoon: ang ika-26 ng Hulyo ang Araw ng Esperanto. Nang petsang ito noong 1887, lumabas sa Warsaw ang brosyur ni Doktor Ludwig Zamenhof tungkol sa "Pandaigdigang Wika."

Última atualização: 2014-02-01
Frequência de uso: 1
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Referência: Anônimo
Aviso: contém formatação HTML invisível

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