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paul fierlinger uses watercolored cel animation , charcoal and pencil sketches and family photographs to animate the incredible twisting story of his youth .
paul fierlinger animirao je akvarele na celu , crteže u ugljenu i olovci te obiteljske fotografije da bi ispričao nevjerojatnu uvrnutu priču o svojoj mladosti .
for each of them i had photo reference or did from real life and most of them are done by pencil or charcoal , also all of them are retouched with photoshop at the end .
za svakog sam imala fotogradiju za referencu ili sam ih napravila sa modela . uglavnom su rađeni olovkom i ugljenom sa dodatkom photoshopa na kraju .
and all our computers have , inside them , the copies of the architecture that he had to just design one day , sort of on pencil and paper .
i sva naša računala imaju , u sebi , kopije arhitekture koju je on dizajnirao jednom , olovkom na papiru .
the cost of lifting the pencil and marking a v is higher than the possible benefit of the decision , so that 's why we get this effect . "
zapravo su to po definiciji odluke o nečemu što će nam se dogoditi nakon što umremo .