You searched for: hug her from me (Italienska - Engelska)

from me too.
from me too.

take it from me.
take it from me.

your missing from me
i miss you

9. from me (02:35)
9. from me (02:35)

bye. from me. an italian fan.
bye. from me.

a bigg kiss from me and all the staff.
a bigg kiss from me and all the staff.

death, would wander from me to you,
death, would wander from me to you,

thumbs up from me, looks great in the car.
thumbs up from me, looks great in the car.

your comment, was very appreciated from me and my staff.
your comment, was very appreciated from me and my staff.

i like the romantic situations, but the wild things are not far away from me.
i like the romantic situations, but the wild things are not far away from me.

3. i give, and in doing so, i recognize the wealth that is being drawn from me.
3. i give, and in doing so, i recognize the wealth that is being drawn from me.

we encourage them not to give up, and i wish good luck to everybody from me, and from all my team."
we encourage them not to give up, and i wish good luck to everybody from me, and from all my team."

tell me what you like, tell me what you dream about, tell me exactly what you want to see from me, so i can give you just that.
tell me what you like, tell me what you dream about, tell me exactly what you want to see from me, so i can give you just that.

ci sono episodi più introspettivi e intimi come from me e seasons past, dove la voce sospirata di bruce e gli archi rendono tutto molto poetico ed etereo, riportandoci a melodie del suo passato più lontano e come molti pensavano, ormai dimenticato.
there are some more introspective and intimate parts like “from me” and “seasons past”, in which the whispered voice of bruce and the strings make everything ethereal and poetic, and bring us back to melodies belonging to bruce past, the past that most of the people believed to be forgotten.

e se è in fondo ovvio che non molti abbiano prestato attenzione alle belle soluzioni vocali e strumentali degli album che amy x neuburg ed emily bezar hanno pubblicato lo scorso anno, residue e angels' abacus, proprio in ragione della loro marginalità commerciale, molto meno ovvio è il fatto che pressoché nessuno abbia sottolineato l'importanza avuta da un suono caldo ma chiarissimo per il successo (artistico) di get away from me, l'esordio discografico di nellie mckay.
the fact that not too many seem to have paid attention to the nice vocal and instrumental elements featured in those albums that amy x neuburg and emily bezar released last year - residue and angels' abacus - was in a way something to be expected, given their scarce commercial visibility; but it's not really obvious that nobody seemed to notice how much the warm but clear sound of nellie mckay's debut album, get away from me, contributed to its (artistic) success.