You searched for: the pupilsare watching a wayang kulit (Malajiska - Engelska)

wayang kulit
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walaupun ia universal, setiap alat chordophone ini mempunyai identiti tersendiri berdasarkan kepada asal usul pemain alat tersebut, di kelantan terdapat dua jenis rebab iaitu rebab dua tali dan rebab tiga tali dimana rebab dua tali dimainkan khusus ketika mengiringi persembahan wayang kulit manakala rebab tiga tali pula dimainkan ketika mengiringi kebanyakkan persembahan tradisi orang kelantan
although it is universal, each chordophone tool has its own identity based on the origin of the player, in kelantan there are two types of rebabs, namely two-string and three-string ribbons where the two-string ribbons are played specifically when accompanying the performance of leather puppets while the three-string ribbons are played when accompanying most kelantan traditional performances

patung dari jenis wayang kulit yang berpengaruh jawa mempunyai kedua sendi tangan dan dapat digerakkan tetapi pada patung wayang kulit kelantan hanya sendi sebelah hadapan patung itu sahaja yang digerakkan. watak patung patung utama dalam wayang kulit kelantan selalunya dikemukakan terletak di atas satu rupa kenderaan kenaikan seperti naga, ular dan buaya. sebaliknya, ciri ini tidak terdapat dalam patung patung wayang kulit jawa. hampir keseluruhan patung wayang kulit dipersembahkan dalam kedudu
statues from the javanese -influenced type of wayang kulit have both hand joints and can be moved, but in kelantan wayang kulit puppets, only the joints on the front of the statue are moved. the main puppet characters in kelantan puppets are often presented located on a form of ascending vehicle such as dragons, snakes and crocodiles. on the other hand, this feature is not found in javanese puppet sculptures. almost all of the puppets are presented in position