You searched for: my age is (Spanska - Engelska)

age is irrelevant.
age is irrelevant.

they would be my age").
they would be my age").

la regiÓn central - age is...
the central region - age is...

that age is specified by the swiss legal system ".
that age is specified by the swiss legal system. "

over 48 years (that's not my age, that's my experience.
over 48 years (that's not my age, that's my experience.

age is… es una exploración de la experiencia subjetiva y los conceptos culturales sobre envejecer.
age is… is a new feature meditating on the subjective experience and cultural concepts of ageing.

age is… es la última película realizada por stephen dowskin, que murió en londres el 28 de junio de 2012.
age is… is the last film shot by stephen dwoskin, who died in london on 28 june 2012.

" rangel responded by saying, "the fact that he would make a crack at my age, he ought to be ashamed of himself...he should look so good at 75.
" rangel responded by saying, "the fact that he would make a crack at my age, he ought to be ashamed of himself ...

a lo largo de las películas de dwoskin la intimidad juega un papel protagonista y esto también se cumple en age is…, donde todas las caras son las de sus amigos más cercanos, sus familiares e incluso a veces del propio stephen.
throughout his films intimacy has always played the leading role and this is also true for age is…, all the faces being those of close friends, of their relatives and sometimes even of stephen himself.

la última película de stephen dwoskin, age is…, es una oda a la textura, la belleza y la singularidad de rostros y siluetas envejecidos, un poema hipnótico de largas observaciones de pequeños detalles: un gesto, una pausa, una mirada, un momento. un retrato de la vejez y el ocaso en el que la intimidad juega un papel protagonista, ya que todos los rostros y los protagonistas son amigos cercanos y familiares del propio dwoskin, que también se retrata a sí mismo en la que sería su última película.
as to age is…, it is an ode to texture, beauty and the singularity of ageing faces and bodies; a hypnotic text with lengthy observations of minor details – a gesture, a pause, a look, a moment; a portrait of old age and the sunset of life where intimacy plays a key role, since all the faces belong to dwoskin’s friends and relatives, and he himself appears in the film – his last work.