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this was also the aspect ratio of cinemascope 55.
this was also the aspect ratio of cinemascope 55.
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son olarak, cinemascope blogundan film eleştirmeni yair raveh ajami'nin oskar alıp alamayacağına ilişkin yorumları:
finally, film critic yair raveh of the cinemascope blog postulates whether "ajami" could garner an oscar nod.
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* 2.35:1: 35 mm anamorphic prior to 1970, used by cinemascope ("'scope") and early panavision.
* 2.35:1: 35 mm anamorphic prior to 1970, used by cinemascope ("'scope") and early panavision.
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* 2.55:1 (~23:9): original aspect ratio of cinemascope before optical sound was added to the film in 1954.
* 2.55:1 (~23:9): original aspect ratio of cinemascope before optical sound was added to the film in 1954.
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during that time, television, which had a similar aspect ratio of 1.3:1, became a threat to movie audiences, hollywood gave birth to a large number of wide-screen formats: cinemascope (up to 2.6:1), todd-ao (2.20:1), and vistavision (initially 1.50:1, now 1.6:1 to 2.00:1) to name just a few.
hollywood responded by creating a large number of wide-screen formats: cinemascope (up to 2.6:1), todd-ao (2.20:1), and vistavision (initially 1.50:1, now 1.6:1 to 2.00:1) to name just a few.
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