Şunu aradınız:: entrée (Çince (Modern) - İngilizce)

"entrée 9 "协会(法国)
entrée9 (france)

委员会还关切，被裁定不准入境裁决案(décision de non-entrée en matière)寻求庇护者的社会福利遭到了大幅度削减；
the committee is also concerned that in cases of non-entry decisions (décision de non-entrée en matière) the social benefits of asylum-seekers are being curtailed significantly;

code de l'entrée et du séjour des etrangers et du droit d'asile。
code de l'entrée et du séjour des etrangers et du droit d'asile.

委员会还关切，被裁定不准入境裁决案(décision de non-entrée en matière)寻求庇护者的社会福利遭到了大幅度削减；(ii) 被扣留在机场的寻求庇护者并非总是被告知他们可要求援助。
the committee was also concerned that in cases of non-entry decisions (décision de non-entrée en matière), the social benefits of asylum-seekers are being curtailed significantly; (ii) asylum-seekers retained at airports are not consistently being informed of assistance; (iii) the "guidelines relating to forcible deportations by air " do not contain an explicit ban on the wearing of masks or hoods by officers involved in the deportations.

the thesis that underlies this book can be reduced to an extremely simple formula: death is the origin and the center of culture. my aim is to illustrate this thesis employing ancient egyptian culture as my example. when it comes to the importance of death, this culture is admittedly an extreme example. but this has largely to do with the fact that we view ancient egypt from the standpoint of a culture that is equally extreme, but in the opposite direction. from the point of view of comparative anthropology, it is we, not the ancient egyptians, who are the exception. few cultures in this world exclude death and the dead from their reality as radically as we do. living with the dead and with death is one of the most normal manifestations of human culture, and it presumably lies at the heart of the stuff of human existence. in this book, i thus pursue three matters of concern. one, and this is the most important, is to supply an introduction to the conceptual world of ancient egyptian mortuary religion, to which the unusually large number of preserved texts afford us a privileged entrée. in ancient egypt, mortuary religion was not simply one area of cultural praxis among others, such as the cult of the gods, economy, law, politics, literature, and so forth. rather, in this case, we are dealing with a center of cultural consciousness, one that radiated out into many—we might almost say, in
the thesis that underlies this book can be reduced to an extremely simple formula: death is the origin and the center of culture. my aim is to illustrate this thesis employing ancient egyptian culture as my example. when it comes to the importance of death, this culture is admittedly an extreme example. but this has largely to do with the fact that we view ancient egypt from the standpoint of a culture that is equally extreme, but in the opposite direction. from the point of view of comparative