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in the teachings of the great ancient traditions the outer search for knowledge and certainty was balanced by an inner feeling of impermanence and intuitive understanding of the spiral of change
В великих древних учениях внешний поиск знаний и истины был сбалансирован внутренним чувством непостоянства и интуитивным пониманием духовного роста
when we realize the transient nature of every situation, we also become aware of the impermanence of all matter- this is true for both pleasurable and painful situations.
Как только мы признаем переходящий характер каждой ситуации, мы также признаем непостоянство всех форм и проявлений.
the centrepiece of this action is the treaty on nuclear non-proliferation, to which we gave a new lease of life last year by eliminating the impermanence which could only be prejudicial to it.
И центральным звеном этих усилий является Договор о нераспространении ядерного оружия, которому нам удалось в прошлом году дать второе дыхание, ликвидировав его непостоянный характер, что не могло не наносить ему вред.
this does not mean that we enjoy life, and all it has to offer, any less. in fact, being aware of and accepting this fact, allows greater enjoyment of life because we are conscious of its impermanence.
Последующее отсутствие интереса ( уединения ) является логическим результатом, но это не означает, что мы можем наслаждаться только тем, что предлагает нам жизнь. И наоборот, понимая неизбежность перемен и принятия позволяет нам лучше и дольше наслаждаться радостями жизни, зная, что они непостоянны.
2" for solo voice and piano (1982)*"tokyo cha-cha" for 6 voices and 2 electric organs (1983)*"2 men walking" for 3 voices and electric organs (1983)*"the games" for 16 voices, synthesizer, keyboards, flemish bagpipes, bagpipes, chinese horn and rauschpfeife (1983)*"astronaut anthem" for chorus a cappella (1983)*"panda chant i" for 4 voices (1984)*"panda chant ii" for 8 voices (1984)*"graduation song" for 16 voices (1984)*"city songs" (1984)*"book of days" for 25 voices, synthesizer, piano or 7 voices, synthesizer (chamber version) (1985) recorded for ecm*"scared song" song for solo voice, synthesizer and piano (1986)*"i don't know" song for solo voice and piano (1986)*"double fiesta" solo voice and 2 pianos (1986)*"string" unaccompanied solo voice (1986)*"duet behavior" for 2 voices (1987)*"the ringing place" for 9 voices (1987)*"cat song" for solo voice (1988)*"processional" for solo piano and voice (1988)*"light songs" for solo voice (1988)*"fayum music" for voice, hammered dulcimer, double ocarina (1988)*"book of days (film score" for 10 voices, cello, shawm, synthesizer, hammered dulcimer, bagpipe and hurdy-gurdy (1988)*"atlas: an opera in three parts" for 18 voices 2 keyboards, clarinet, bass clarinet, sheng, bamboo sax, 2 violins, viola, 2 cellos, french horn, percussion, shawm (1991)*"three heavens and hells" for 4 voices (1992)*"volcano songs (duet)" for 2 voices (1993)*"st. petersburg waltz" for solo piano and 2 voices (1993)*"new york requiem" for solo voice and piano (1993)*"volcano songs (solo)" for solo voice, voice with taped voices and piano (1994)*"american archaeology #1: roosevelt island" for 9 voices, organ, bass, medieval drum and shawm (1994)*"star trek: envoy" for composing/directing/performing in the den-kai/krikiki ensemble (1995)*"nightfall" for 16 voices (1995)*"the politics of quiet" for 10 voices, 2 keyboards, horn, violin, bowed psaltery (1996)*"magic frequencies" for 6 voices, 2 keyboards, percussion, theremin and violin (1998)*"cello study #1" solo cello and voice (1999)*"eclipse variations" for 4 voices, esraj, sampler, recorded in surround sound, commissioned by starkland (2000)*"micki suite" for 4 voices (2000)*"mercy" for 7 voices, 2 keyboards, percussion, multiple woodwinds, violin (2001)*"when there were work songs" for vocal ensemble (2002, commissioned by the western wind vocal ensemble)*"last song" for solo voice and piano (2003)*"impermanence (part 1)" for eight voices, piano, keyboard, marimba, vibraphone, percussion, violin, multiple woodwinds, bicycle wheel (2004)*"night" for 8 voices, bowed psaltry, chamber orchestra (1996/2005)*"impermanence (part 2)" for 8 voices, piano, keyboard, marimba, vibraphone, percussion, volin, woodwinds and bicycle wheel (2006)*"songs of ascension" for vocal ensemble, woodwinds, percussion, shrutis and string quartet (2006, commissioned by the kronos quartet, with ann hamilton)*"weave" for solo voices, chorus and orchestra (2010, commissioned by grand center inc and the los angeles master chorale)*"quilting" for 9 voices (2011)*"on behalf of nature" for 8 voices, violin, keyboards, french horn, clarinet, bass and contrabass clarinet, wooden flutes, vibraphone, marimba and percussion (2013)==discography==* "key" (increase records, 1971 / lovely music, 1977 and 1995)* "our lady of late" (minona records, 1973 / wergo, 1986)* "songs from the hill/tablet" (wergo, 1979)* "dolmen music" (ecm, 1981)* "turtle dreams" (ecm, 1983)* "do you be" (ecm, 1987)* "book of days" (ecm, 1990)* "facing north" (ecm, 1992)* "" (ecm, 1993)* "volcano songs" (ecm, 1997)* "mercy" (ecm, 2002)* "impermanence" (ecm, 2008)* "beginnings" (tzadik, 2009), compositions from 1966 to 1980* "songs of ascension" (ecm, 2011)* "piano songs" (ecm, 2014)==films==* 1989 — "book of days.
* paris for solo piano (1973)* acts from under and above ellis island for two pianos (1986)* window in 7’s for solo piano (1986)* parlour games for two pianos (1988)* phantom waltz for two pianos (1990)* st.petrsburg waltz for solo piano (1994)* steppe music for solo piano (1997)* clarinet study #4, for solo clarinet (1999)* cello study #1 for solo cello and voice (1999)* trumpet study #1 for solo trumpet (1999)* possible sky for orchestra and voices (2003)* stringsongs for string quartet (2004)* 16 millimeter earrings for voice, guitar and tapes (1966)* juice: a theater cantata for 85 voices, jew’s harp and two violins (1969)* vessel: an opera epic for 75 voices, electronic organ, dulcimer and accordion (1971)* our lady of late for solo voice and wine glass (1972)* quarry: an opera for 38 voices, 2 pump organs, 2 soprano recorders, tape (1976)* songs from the hill for unaccompanied solo voice (1976)* tablet for four voices, piano four hands, two soprano recorders (1976)* dolmen music for 6 voices, cello, percission (1979)* the games for 16 voices, synthesizer, keyboards, flemish bagpipes, bagpipis, chinese and rauschpfeife (1983)* astronaut anthem for chorus a capella (1983)* panda chant ii for chorus a cappella (1984)* book of days for 25 voices, syntesizer, piano or 7 voices, synthesizer (chamber version) (1985)* scared song, song for solo voice, synthesizer and piano (1986)* i don’t know, song for solo voice and piano (1986)* atlas: an opera in three parts for 18 voices and chamber orchestra (1991)* three heavens and hells for 4 voices (1992)* volcano songs (solo) for solo voice, voice with taped voices and piano (1994)* star trek: envoy for composing/directing/performing in the den-kai/krikiki ensemble (1995)* the politics of quiet for 10 voices, 2 keyboards, horn, violin, bowed psaltry (1996)* mercy for 6 voices, 2 keyboards, percussion, multiple woodwinds, violin (2001)* when there were work songs for vocal ensemble (2002)* last song for solo voice and piano (2003)* impermanence for eight voices, piano, keyboard, marimba, vibraphone, percussion, violin, multiple woodwinds, bicycle wheel (2005)* night for chorus and orchestra (1996—2005)* songs of ascencion for vocal ensemble and string quartet (2006)Видный представитель нью-йоркского художественного авангарда.