Şunu aradınız:: supercollider (Fransızca - İngilizce)

vim supercollider
supercollider vim

emacs supercollider (scel)
supercollider emacs (scel)

environnement vim pour supercollider
vim environment for supercollider

environnement de développement supercollider
supercollider ide

supercollider : le site web officiel
supercollider official web site

supercollider est un environnement et un langage de programmation pour la synthèse audio en temps réel et la composition algorithmique.
supercollider is an environment and programming language originally released in 1996 by james mccartney for real-time audio synthesis and algorithmic composition.

autechre a utilisé des environnements de programmation musicale comme max/msp, supercollider et kyma, qui leur permettaient de créer leurs propres programmes.
autechre have also experimented in depth with development environments such as max/msp, and kyma, amongst others, from 1997 onwards, though it is unclear which are still in use.

avec la plupart des systèmes hardware que je connais, ce qui est cool c'est de pouvoir mélanger et associer ce genre de signaux puis voir ce que ca donne. ca peut paraitre bizzare, mais c'est un langage qui va finalement se retrouver gravé dans le silicone et distribué comme composant de matériel destiné au grand public. l'introduction originale de la distinction audio/controle par berry vercoes, était un ajout intelligent aux langages music n, mais je maintient que c'est une erreur de le garder. pour être un peut plus positif, j'aurais préféré voir adopter quelquechose comme supercollider (langage de james mccartney).
in most hardware-based systems i can think of, the really cool stuff tends to be the systems that allow you to mix and match such signals to see what they do. this may seem like a nitpick, but this is a language that by several accounts is going to end up being poured in silicon and distributed as part of mass market consumer items. barry vercoe's original introduction of the audio/control distinction was a brilliant addition to the music n languages, but i firmly believe that its wrong to retain it. to try to be a little more positive, i would have been much happier to have seen something like james mccartney's supercollider language be adopted.