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英语

Glance

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Makipagtulungan

最后更新: 2019-10-03
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参考: 匿名

英语

first glance

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Pasilip naaman

最后更新: 2020-03-21
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参考: 匿名

英语

glance at me

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pasulyap sulyap ka sa akin

最后更新: 2019-10-17
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参考: 匿名

英语

what a glance

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napa sulyap

最后更新: 2018-05-27
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参考: 匿名

英语

synonym for glance

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kasingkahulugan ng sulyap

最后更新: 2020-11-09
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参考: 匿名

英语

pasulyap suppose glance

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dumakwang

最后更新: 2017-02-24
使用频率: 1
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参考: 匿名

英语

Suppose pasulyap glance

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bulwagan

最后更新: 2015-11-18
使用频率: 1
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参考: 匿名

英语

glance at the problem

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tanga

最后更新: 2014-11-17
使用频率: 1
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参考: 匿名

英语

glance at the problem

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sulyap sa suliranp

最后更新: 2014-11-17
使用频率: 1
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参考: 匿名

英语

what is the meaning of glance

他加禄语

ano ang kahulugan ng sulyap

最后更新: 2020-09-28
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参考: 匿名

英语

at a glance you english lyrics

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sa isang sulyap mo english lyrics

最后更新: 2020-08-31
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参考: 匿名

英语

I recognized her at first glance.

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Nakilala ko siya sa isang tingin.

最后更新: 2014-02-01
使用频率: 1
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参考: 匿名

英语

at first glance they thought they were dead

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sa unang tingin akala nila mataray ako

最后更新: 2020-02-10
使用频率: 1
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参考: 匿名

英语

Pygmalion and Galatea Pygmalion and Galatea The story of Pygmalion and Galatea is found in Greek Mythology, and in the famous work "Metamorphoses", by the great Roman poet Ovid. Their love was so unique that it is difficult to define it. But from this legendary love story, one thing is clear, man can never love an inanimate object with as much passion as he loves a living, breathing being. Love gives rise to desire and without this passion any love remains unfulfilled. Pygmalion was a master sculptor in the ancient city of Greece. All day he sculpted beautiful statues from huge pieces of rock. In fact, his creations were so wonderful that whoever saw them were mesmerised by their sheer artistic beauty and exact finish. Pygmalion himself was a fine and handsome young man. He was liked by all men and women. Many women loved him for his great skill and looks. But Pygmalion never paid attention to any of these women. He saw so much to blame in women that he came at last to abhor the sex, and resolved to live unmarried. He was a sculptor, and with his with wonderful skill he sculpted a beautiful ivory statue which was so lifelike that it was difficult to believe that it was lifeless at the first glance. The beauty was such that no living woman could compete with it. It was indeed the perfect semblance of a maiden that seemed to be alive, and only prevented from moving by modesty. His art was so perfect that it concealed itself and its product looked like the workmanship of nature. Pygmalion spent hours admiring his creation. By and by Pygmalion's admiration for his own sculpture turned to love. Oftentimes he laid his hand upon it as if to assure himself whether it were living or not, and could not, even then, believe that it was only ivory. He caressed it, and gave it such presents as young girls love - bright shells and polished stones, little birds and flowers of various hues, beads and amber. He adorned his ivory maiden with jewels. He put rainment on its limbs, and jewels on its fingers, and a necklace about its neck. To the ears he hung earrings and strings of pearls upon the breast. Her dress became her, and she looked not less charming than when unattired. He laid her on a couch spread with cloths of Tyrian dye, and called her his wife, and put her head upon a pillow of the softest feathers, as if she could enjoy their softness. He gave the statue a name: "Galatea", meaning "sleeping love'. But what will be the consequence of falling in love with a lifeless ivory maiden? The festival of Aphrodite was at hand - a festival celebrated with great pomp at Cyprus. Victims were offered, the altars smoked, and the odor of incense filled the air. When the festivities of Aphrodite started, Pygmalion took part in the ceremonies. He went to the temple of Aphrodite to ask forgiveness for all the years he had shunned her. When Pygmalion had performed his part in the solemnities, he hesitantly prayed for a wife like his ivory virgin statue. He stood before the altar of Aphrodite and timidly said, "Ye gods, who can do all things, give me, I pray you, for my wife" - he dared not utter "my ivory virgin," but said instead - "one like my ivory virgin." But Goddess Aphrodite understood what the poor man was trying to say. She was curious. How can a man love a lifeless thing so much? Was it so beautiful that Pygmalion fell in love with his own creation? So she visited the studio of the sculptor while he was away. What she saw greatly amazed her. For the sculpture had a perfect likeness to her. In fact, it would not have been wrong to say that the sculpture was an image of Aphrodite herself. Goddess Aphrodite was charmed by Pygmalion's creation. She brought the statue to life. When Pygmalion returned to his home, he went before Galatea and knelt down before the woman of his dreams. He looked at her lovingly, with a lover's ardour. It seemed to him that Galatea was looking at her lovingly too. For a moment, it seemed to Pygmalion that it was just a figment of his imagination. He rubbed his eyes and looked again. But no. There was no mistake this time. Galatea was smiling at him. He laid his hand upon the limbs; the ivory felt soft to his touch and yielded to his fingers like the wax of Hymettus. It seemed to be warm. He stood up; his mind oscillated between doubt and joy. Fearing he may be mistaken, again and again with a lover's ardor he touches the object of his hopes. It was indeed alive! The veins when pressed yielded to the finger and again resumed their roundness. Slowly it dawned on Pygmalion that the animation of his sculpture was the result of his prayer to Goddess Aphrodite who knew his desire. At last, the votary of Aphrodite found words to thank the goddess. Pygmalion humbled himself at the Goddess' feet. Soon Pygmalion and Galatea were wed, and Pygmalion never forgot to thank Aphrodite for the gift she had given him. Aphrodite blessed the nuptials she had formed, and this union between Pygmalion and Galatea produced a son named Paphos, from whom the city Paphos, sacred to Aphrodite, received its name. He and Galatea brought gifts to her temple throughout their life and Aphrodite blessed them with happiness and love in return. The unusual love that blossomed between Pygmalion and Galatea enthralls all. Falling in love with one's creation and then getting the desired object as wife- perhaps this was destined for Pygmalion. Even to this day, countless people and young lovers are mesmerized by this exceptional love that existed between two persons at a time when civilization was in its infancy

他加禄语

最后更新: 2020-10-02
使用频率: 1
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参考: 匿名
警告:包含不可见的HTML格式

英语

Matching Tests Teachers devise tests to measure a student’s understanding of the course material. Many teachers use different tests, such as multiple choice, short answer, essay, true/false, and the matching test format, to gain the upper-hand on students who wish to cheat their way through the year. Students who study well for a multiple choice test may find themselves perplexed when staring down at a matching test format in front of them. Matching test questions measure the student’s ability to connect words, complete sentences, or pair words with their definition. The matching test format consists of two columns, including one with a definition or phrase, and another with a word, number, or symbol. Teachers refer to each item in the first column as the premises, or the questions involved in the matching tests. Likewise, instructors refer to the answers in the second column as responses in the matching tests. Teachers everywhere agree that learners should select the correct response in the second column to its corresponding premises in the first. Conventional matching tests usually have items in the first column numbered and items in the second column labeled with alphabetical letters. Receive your Free Copy of “7 Secrets to Boost Grades” Enter your first name Enter your email address I am a: Your privacy is protected. No spam. Unsubscribe anytime. Teachers incorporate matching test questions as an alternative to changing the learner’s pace. Matching tests evaluate the student’s ability to recall information under time constraints. Many teachers employ a small section of matching test questions at the end of a chapter review, while others may use it in quizzes and tests. Matching test questions evaluates the learner’s ability to understand the similarities between items, usually terms and definitions, symbols and proper names, principles and scenarios, objects and pictures, and cause/effect. Students who excel at taking matching tests likely grasp key concepts and “big ideas.” Matching test questions enable teachers to cover more content in one question than allowed with the ever-popular multiple choice test format. Therefore, the matching test format tests the student’s intermittent knowledge of the course curriculum and provides a way for the teacher to incorporate a little variety into classroom activities. Students who are preparing for an exam may want to employ a few matching test strategies to ensure they answer every question correctly. As an objective form of evaluation, matching tests can prove challenging for students who failed to review their notes. Students who fail to study will not have the backbone to succeed on any form of test format, regardless of many matching test strategies they employ. Without sufficient study time, all matching test strategies become nullified. Students who employ effective study methods will benefit from these simple matching test tips. First and foremost, students need to read over the directions carefully before answering any of the questions before them. The directions usually have vital information for the test-taker, including whether the question requires one or more answers. The directions inform the test-taker whether he or she can use a particular response several times. Test-takers who glance over the directions will likely fail the test. Many times test designers ask the test-taker to mark their answers on a scantron, scrap sheet of paper, or on the test itself using lines drawn to the corresponding column. Reading the directions carefully remains as one of the most important tips for matching tests. Excel Study Skills System - The Most Complete Student Success System Discover the most powerful Student Success System available today! Studies have proven that effective study skills are the key to a student's success in school and career. EduNova's award winning study systems have helped thousands of students succeed in school and college. Learn more today! Secondly, students read the premise column to identify the longest phrases. This saves time by matching the phrase with the word, instead of the word with the phrase. The majority of test-takers will need to complete their matching test tips exam under time constraints. Therefore, students should seriously consider time-saving tips for matching tests to make the best grade possible. Many instructors agree that students should do the easy questions first and then return to the difficult questions later to save time. Wasting time on tougher questions will likely result in the student rushing to complete the test before turning it in for a grade. Other matching test tips include the process of elimination by crossing out unknown items first, visualizing the information in the student’s notebook, association questions with answers, and looking for clues in grammar and sentence structure. These important tips for matching tests will guide students to succeeding on their quizzes, tests, and final exams. Follow these links to learn more about matching test tips: Tips for Taking All Types of Tests: Matching Strategies for Different Test Formats (PDF) All About Multiple Choice & Matching Exams Effective Test-Taking Tips for Students An All-Encompassing Guide of Test-Taking Tips and Strategies for Students Learning Strategies Database: Matching Exams Guidelines for Answering Matching Questions Test-Taking Strategies for Different Types of Tests © 2012 EduNova Co. All rights reserved. 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他加禄语

pagtutugma ng uri ng pagsubok

最后更新: 2019-04-12
使用频率: 1
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参考: 匿名
警告:包含不可见的HTML格式

英语

Don't be fooled by me. Don't be fooled by the face I wear for I wear a mask, a thousand masks, masks that I'm afraid to take off, and none of them is me. Pretending is an art that's second nature with me, but don't be fooled, for God's sake don't be fooled. I give you the impression that I'm secure, that all is sunny and unruffled with me, within as well as without, that confidence is my name and coolness my game, that the water's calm and I'm in command and that I need no one, but don't believe me. My surface may seem smooth but my surface is my mask, ever-varying and ever-concealing. Beneath lies no complacence. Beneath lies confusion, and fear, and aloneness. But I hide this. I don't want anybody to know it. I panic at the thought of my weakness exposed. That's why I frantically create a mask to hide behind, a nonchalant sophisticated facade, to help me pretend, to shield me from the glance that knows. But such a glance is precisely my salvation, my only hope, and I know it. That is, if it's followed by acceptance, if it's followed by love. It's the only thing that can liberate me from myself, from my own self-built prison walls, from the barriers I so painstakingly erect. It's the only thing that will assure me of what I can't assure myself, that I'm really worth something. But I don't tell you this. I don't dare to, I'm afraid to. I'm afraid your glance will not be followed by acceptance, will not be followed by love. I'm afraid you'll think less of me, that you'll laugh, and your laugh would kill me. I'm afraid that deep-down I'm nothing and that you will see this and reject me. So I play my game, my desperate pretending game, with a facade of assurance without and a trembling child within. So begins the glittering but empty parade of masks, and my life becomes a front. I idly chatter to you in the suave tones of surface talk. I tell you everything that's really nothing, and nothing of what's everything, of what's crying within me. So when I'm going through my routine do not be fooled by what I'm saying. Please listen carefully and try to hear what I'm not saying, what I'd like to be able to say, what for survival I need to say, but what I can't say. I don't like hiding. I don't like playing superficial phony games. I want to stop playing them. I want to be genuine and spontaneous and me but you've got to help me. You've got to hold out your hand even when that's the last thing I seem to want. Only you can wipe away from my eyes the blank stare of the breathing dead. Only you can call me into aliveness. Each time you're kind, and gentle, and encouraging, each time you try to understand because you really care, my heart begins to grow wings-- very small wings, very feeble wings, but wings! With your power to touch me into feeling you can breathe life into me. I want you to know that. I want you to know how important you are to me, how you can be a creator--an honest-to-God creator-- of the person that is me if you choose to. You alone can break down the wall behind which I tremble, you alone can remove my mask, you alone can release me from my shadow-world of panic, from my lonely prison, if you choose to. Please choose to. Do not pass me by. It will not be easy for you. A long conviction of worthlessness builds strong walls. The nearer you approach to me the blinder I may strike back. It's irrational, but despite what the books say about man often I am irrational. I fight against the very thing I cry out for. But I am told that love is stronger than strong walls and in this lies my hope. Please try to beat down those walls with firm hands but with gentle hands for a child is very sensitive. Who am I, you may wonder? I am someone you know very well. For I am every man you meet and I am every woman you meet. Charles C. Finn September 1966

他加禄语

walang limitasyon

最后更新: 2018-09-05
使用频率: 1
质量:

参考: 匿名

英语

Pygmalion and Galatea Pygmalion and Galatea The story of Pygmalion and Galatea is found in Greek Mythology, and in the famous work "Metamorphoses", by the great Roman poet Ovid. Their love was so unique that it is difficult to define it. But from this legendary love story, one thing is clear, man can never love an inanimate object with as much passion as he loves a living, breathing being. Love gives rise to desire and without this passion any love remains unfulfilled. Pygmalion was a master sculptor in the ancient city of Greece. All day he sculpted beautiful statues from huge pieces of rock. In fact, his creations were so wonderful that whoever saw them were mesmerised by their sheer artistic beauty and exact finish. Pygmalion himself was a fine and handsome young man. He was liked by all men and women. Many women loved him for his great skill and looks. But Pygmalion never paid attention to any of these women. He saw so much to blame in women that he came at last to abhor the sex, and resolved to live unmarried. He was a sculptor, and with his with wonderful skill he sculpted a beautiful ivory statue which was so lifelike that it was difficult to believe that it was lifeless at the first glance. The beauty was such that no living woman could compete with it. It was indeed the perfect semblance of a maiden that seemed to be alive, and only prevented from moving by modesty. His art was so perfect that it concealed itself and its product looked like the workmanship of nature. Pygmalion spent hours admiring his creation. By and by Pygmalion's admiration for his own sculpture turned to love. Oftentimes he laid his hand upon it as if to assure himself whether it were living or not, and could not, even then, believe that it was only ivory. He caressed it, and gave it such presents as young girls love - bright shells and polished stones, little birds and flowers of various hues, beads and amber. He adorned his ivory maiden with jewels. He put rainment on its limbs, and jewels on its fingers, and a necklace about its neck. To the ears he hung earrings and strings of pearls upon the breast. Her dress became her, and she looked not less charming than when unattired. He laid her on a couch spread with cloths of Tyrian dye, and called her his wife, and put her head upon a pillow of the softest feathers, as if she could enjoy their softness. He gave the statue a name: "Galatea", meaning "sleeping love'. But what will be the consequence of falling in love with a lifeless ivory maiden? The festival of Aphrodite was at hand - a festival celebrated with great pomp at Cyprus. Victims were offered, the altars smoked, and the odor of incense filled the air. When the festivities of Aphrodite started, Pygmalion took part in the ceremonies. He went to the temple of Aphrodite to ask forgiveness for all the years he had shunned her. When Pygmalion had performed his part in the solemnities, he hesitantly prayed for a wife like his ivory virgin statue. He stood before the altar of Aphrodite and timidly said, "Ye gods, who can do all things, give me, I pray you, for my wife" - he dared not utter "my ivory virgin," but said instead - "one like my ivory virgin." But Goddess Aphrodite understood what the poor man was trying to say. She was curious. How can a man love a lifeless thing so much? Was it so beautiful that Pygmalion fell in love with his own creation? So she visited the studio of the sculptor while he was away. What she saw greatly amazed her. For the sculpture had a perfect likeness to her. In fact, it would not have been wrong to say that the sculpture was an image of Aphrodite herself. Goddess Aphrodite was charmed by Pygmalion's creation. She brought the statue to life. When Pygmalion returned to his home, he went before Galatea and knelt down before the woman of his dreams. He looked at her lovingly, with a lover's ardour. It seemed to him that Galatea was looking at her lovingly too. For a moment, it seemed to Pygmalion that it was just a figment of his imagination. He rubbed his eyes and looked again. But no. There was no mistake this time. Galatea was smiling at him. He laid his hand upon the limbs; the ivory felt soft to his touch and yielded to his fingers like the wax of Hymettus. It seemed to be warm. He stood up; his mind oscillated between doubt and joy. Fearing he may be mistaken, again and again with a lover's ardor he touches the object of his hopes. It was indeed alive! The veins when pressed yielded to the finger and again resumed their roundness. Slowly it dawned on Pygmalion that the animation of his sculpture was the result of his prayer to Goddess Aphrodite who knew his desire. At last, the votary of Aphrodite found words to thank the goddess. Pygmalion humbled himself at the Goddess' feet. Soon Pygmalion and Galatea were wed, and Pygmalion never forgot to thank Aphrodite for the gift she had given him. Aphrodite blessed the nuptials she had formed, and this union between Pygmalion and Galatea produced a son named Paphos, from whom the city Paphos, sacred to Aphrodite, received its name. He and Galatea brought gifts to her temple throughout their life and Aphrodite blessed them with happiness and love in return. The unusual love that blossomed between Pygmalion and Galatea enthralls all. Falling in love with one's creation and then getting the desired object as wife- perhaps this was destined for Pygmalion. Even to this day, countless people and young lovers are mesmerized by this exceptional love that existed between two persons at a time when civilization was in its infancy.

他加禄语

pygmalion sa galatea

最后更新: 2015-06-13
使用频率: 2
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参考: 匿名
警告:包含不可见的HTML格式

英语

Scene 2: An Angel Visits Mary MARY enters from the side and stands near the BASKET OF CLOTHES. MARY begins folding the clothes. NARRATOR God sent the angel Gabriel to Nazareth, a town in Galilee. ANGEL begins sneakily tip-toeing from the side, making their way to stand behind MARY, who doesn’t notice. NARRATOR He was sent to a girl named Mary. The angel greeted her and said... ANGEL 1 (Jumps out from behind MARY) Mary! MARY throws the piece of clothing she was folding in the air. MARY takes a few steps away and hides behind the RECTANGULAR BOX. ANGEL 1 The Lord has given you special favor. He is with you. NARRATOR Mary was very upset because of his words. Mary wondered... MARY stands up and scratches her head. MARY What kind of greeting this could be? NARRATOR But the angel said to her... ANGEL 1 (Holds out a hand out) Do not be afraid, Mary. God is very pleased with you. NARRATOR Then the angel said... The ANGEL reaches into their sash, pulls out the FOLDED LETTER, walks over to the NARRATOR, and hands it to them. The NARRATOR unfolds the letter and glances over it, then looks at the ANGEL quizzically. The ANGEL leans over and whispers in the NARRATOR’S ear. The NARRATOR nods. NARRATOR Ladies and Gentlemen, the angel has informed me that, after a long and tiring trip from heaven, they’d like a little help delivering their long message from God. Any volunteers? (Waits a second.) Ah, yes, you over there. The ANGEL’S MOM OR DAD comes and stands next to the NARRATOR. The NARRATOR hands the LETTER to the ANGEL’S MOM OR DAD. The ANGEL returns to where they were onstage. NARRATOR The angel continued... PARENT NARRATOR You will become pregnant... The ANGEL pats their belly a few times. PARENT NARRATOR And give birth to a son. You must name him Jesus. The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in one hand. PARENT NARRATOR He will be great and will be called the Son of the Most High God. The ANGEL flexes their muscles several times like a body builder. PARENT NARRATOR The Lord God will make him a king like his father David of long ago. The ANGEL grabs the CROWN SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in her other hand. PARENT NARRATOR He will rule forever over his people, who came from Jacob's family. His kingdom will never end. NARRATOR Mary asked the angel... PARENT NARRATOR How can this happen? MARY shrugs. NARRATOR The angel answered... PARENT NARRATOR The Holy Spirit will come to you. The ANGEL reaches up to the sky and slowly lowers their hands to waist level while wiggling their fingers. PARENT NARRATOR The power of the Most High God will cover you. So the holy one that is born will be called the Son of God. ANGEL 1 Nothing is impossible with God. NARRATOR Mary answered... MARY I serve the Lord. May it happen to me just as you said it would. NARRATOR Then the angel left her. The ANGEL exits to the side of the stage. MARY sets the SIGNS back on the back of the stage. MARY puts the clothes in the basket and exits to the side of the stage. Scene 3: An Angel Visits Joseph in a Dream NARRATOR This is how the birth of Jesus Christ came about. JOSEPH enters from the side of the stage, holding a BOUQUET OF FLOWERS. NARRATOR His mother Mary and Joseph had promised to get married. JOSEPH gestures over to the side of the stage for someone to come over. MARY enters in slowly from the side of the stage with a noticeably pregnant belly, holding one hand against the small of her back. NARRATOR But before they started to live together, it became clear that she was going to have a baby. She became pregnant by the power of the Holy Spirit. JOSEPH stares with his mouth open, throws the FLOWERS in the air, and puts his head in his hands. MARY covers her face, crying, and runs, exiting to the side of the stage. NARRATOR Her husband Joseph was a godly man. JOSEPH paces back and forth, pretending to talk to himself. NARRATOR He did not want to put her to shame in public. So he planned to divorce her quietly. NARRATOR But as Joseph was thinking about this... JOSEPH sits down on the RECTANGULAR BOX and poses like the thinker. He slowly leans his head and lays down on the RECTANGULAR BOX to sleep. NARRATOR ...an angel of the Lord appeared to him in a dream. The ANGEL runs in from the side, does a somersault, and jumps up with arms outstretched. NARRATOR The angel said... ANGEL 2 (Holding out one hand to Joseph) Joseph, son of David... JOSEPH sits up, startled. He hides behind the RECTANGULAR BOX. ANGEL 2 Don't be afraid to take Mary home as your wife. PARENT NARRATOR The baby inside her... The ANGEL pats their belly a few times. PARENT NARRATOR ...is from the Holy Spirit. The ANGEL holds out their hands up to the sky and wiggles his fingers while hopping from foot to foot. PARENT NARRATOR She is going to have a son. You must give him the name Jesus. The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand. PARENT NARRATOR That is because he will save his people from their sins. The ANGEL grabs the SAVIOR SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand. After a beat, the ANGEL takes the SIGNS back and sets the where they were before. The ANGEL helps JOSEPH lay back down on the RECTANGULAR BOX. The ANGEL grabs the BLANKET from behind the RECTANGULAR BOX and lays it on JOSEPH. The ANGEL then exits to the side of the stage, doing another somersault as they leave. NARRATOR Joseph woke up. JOSEPH sits up, pulls off the BLANKET, and sets it behind the RECTANGULAR BOX. JOSEPH rubs his eyes with his palms, pinches himself, and stands up. NARRATOR He did what the angel of the Lord commanded him to do. JOSEPH Mary! MARY does a pregnant-style run over to JOSEPH. JOSEPH pats down his torso, as if feeling in his pockets. He then does a “COME ON” gesture towards the NARRATOR. The NARRATOR walks over to JOSEPH and hands him a ring. JOSEPH bows down on one knee. MARY holds a hand, and JOSEPH puts a ring on it. NARRATOR He took Mary home as his wife. JOSEPH and MARY hold hands and exit to the side of the stage. Scene 4: Mary and Joseph Travel to Bethlehem NARRATOR In those days, Caesar Augustus made a law. CAESAR AUGUSTUS enters from the side holding a SCROLL and stands in the center of the stage. CAESAR AUGUSTUS lets the SCROLL roll to the ground and pretends to read it. CAESAR AUGUSTUS Hear ye, hear ye! Let there be a list be made of everyone in the whole Roman world. CAESAR AUGUSTUS exits to the side of the stage. NARRATOR All went to their own towns to be listed. So Joseph went also. He went from the town of Nazareth in Galilee to Judea. The INNKEEPERS enter from the side of stage, holding INNKEEPER SIGNS, with their heads poking out from the cutout of the sign. They stand, spread out in a long line. NARRATOR That is where Bethlehem, the town of David, was. JOSEPH enters from the side, pulling a WAGON with MARY riding in it. MARY is looking very pregnant. NARRATOR He went there with Mary to be listed. Mary was engaged to him. She was expecting a baby. JOSEPH pulls the wagon up to INNKEEPER 1 and knocks on their INNKEEPER SIGN. INNKEEPER 1 No room! JOSEPH pulls the wagon up to INNKEEPER 2 and knocks on their INNKEEPER SIGN. INNKEEPER 2 No room! JOSEPH pulls the wagon up to INNKEEPER 3 and knocks on their INNKEEPER SIGN. INNKEEPER 3 No room! NARRATOR There was no room for them in the inn. The INNKEEPERS exit to the side of the stage. The STABLEKEEPER enters from the side carrying the STABLEKEEPER SIGN and stands in the center of the stage, in front of the RECTANGULAR BOX. JOSEPH pulls the wagon over to the STABLEKEEPER and KNOCKS on their STABLEKEEPER SIGN. STABLEKEEPER There’s room in the barn! JOSEPH gives the STABLEKEEPER a bow of thanks. The STABLEKEEPER exits to the side of the stage. JOSEPH and MARY sit on the RECTANGULAR BOX. The STAGE HANDS carry the MANGER and set it in the middle of the stage. Scene 5: Jesus is Born in a Stable NARRATOR While Joseph and Mary were there, the time came for the child to be born. JOSEPH kneels next to MARY and grabs her hand. He rubs his hand once along her hair. NARRATOR She gave birth to her first baby. JOSEPH reaches behind the RECTANGULAR BOX and grabs the BABY. JOSPEH (Holding the BABY up) It’s a boy! MARY grabs the BLANKET from behind the RECTANGULAR BOX . JOSEPH hands the BABY to MARY. NARRATOR She wrapped him in large strips of cloth. MARY wraps the BABY in the BLANKET. NARRATOR Then she placed him in a manger. MARY places the BABY in the manger. MARY and JOSEPH exit to the side of the stage, taking the WAGON with them. Scene 6: The Angels Visit Shepherds NARRATOR There were shepherds living out in the fields nearby. A group of SHEPHERDS enter from the side of the stage. NARRATOR They were looking after their sheep. A group of children dressed as SHEEP enter from the side of the stage wearing SHEEP HATS and sit down, scattered near the center. NARRATOR It was night. The SHEEP yawn and stretch. The SHEPHERDS run to the side of the stage and grab blankets and pillows. The SHEPHERDS proceed to tuck each of the sheep in by laying then down on the floor, placing a pillow under their heads, and pulling a blanket over them. When the SHEPHERDS are finished, they sit down on or near the RECTANGULAR BOX . NARRATOR An angel of the Lord appeared to them. ANGEL 3 jumps out from the side of the stage with their hands up and stands near the SHEPHERDS. NARRATOR And the glory of the Lord shone around them and they were terrified. The SHEPHERDS kneel and cower in fear, hiding behind the RECTANGULAR BOX. NARRATOR But the angel said to them... ANGEL 3 (Holding out a hand) Do not be afraid. I bring you good news of great joy. PARENT NARRATOR It is for all the people. The ANGEL gestures out toward the audience. PARENT NARRATOR Today in the town of David a Savior has been born to you. He is Christ the Lord. The ANGEL makes the baseball “Safe!” sign with their arms. PARENT NARRATOR Here is how you will know I am telling you the truth. You will find a baby wrapped in strips of cloth... The ANGEL grabs the BABY SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand. PARENT NARRATOR And lying in a manger. The ANGEL grabs the MANGER SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand. NARRATOR Suddenly a large group of angels from heaven also appeared. ANGEL 1 and ANGEL 2 run on stage and stand next to ANGEL 1. NARRATOR They were praising God. They said... ANGELS 1, 2 AND 3 (Raising their hands to the sky) Glory to God in heaven! PARENT NARRATOR And may peace be given to those he is pleased with on earth! NARRATOR The angels left and went into heaven. The ANGELS exit to the side of the stage. NARRATOR Then the shepherds said to one another... SHEPHERDS Let's go to Bethlehem. PARENT NARRATOR Let's see this thing that has happened, which the Lord has told us about." NARRATOR So they hurried off... The SHEPHERDS and all of the SHEEP exit to the right of the stage. NARRATOR They found Mary and Joseph and the baby. MARY and JOSEPH enter from the side of the stage and sit on the RECTANGULAR BOX. NARRATOR The baby was lying in the manger. The SHEPHERDS enter from the side of the stage and kneel around the manger. NARRATOR After the shepherds had seen him, they told everyone. They reported what the angel had said about this child. The SHEPHERDS run all over into the audience, going to various people, putting their hands on their shoulders and saying, “Jesus is born!” After 30 seconds of this, they run to the back of the auditorium and wait. NARRATOR Everyone who heard it were amazed at what the shepherds said to them. (Pauses) I said, everyone who heard it were amazed at what the shepherds said to them. (Gestures to the congregation) CONGREGATION Oooooh! Aaaaaah! NARRATOR But Mary kept all these things like a secret treasure in her heart. MARY picks up the BABY and walks off the side of the stage, looking up contemplatively. JOSEPH exits to the side of the stage after her. NARRATOR She thought about them over and over. NARRATOR The shepherds returned. The SHEPHERDS run from the back on the auditorium and onto the stage. NARRATOR They gave glory and praise to God. The SHEPHERDS to a brief, silly dance of celebration. NARRATOR Everything they had seen and heard was just as they had been told. The SHEPHERDS exit to the side of the stage. THE END

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script ng isang comedy-play

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