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bad words in tamil madarchod
madarchod
最后更新: 2024-07-22
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top 10 bad words in tamil
top 10 bad words in telugu
最后更新: 2023-11-16
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bad words meaning gaaji in tamil
bad words meaning gaaji in tamil
最后更新: 2024-08-31
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bad words in telegu
జీవితం మనల్ని దేంగకూడదు
最后更新: 2024-05-18
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bad words in telugu dengai
gudda
最后更新: 2024-09-02
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bad words in telugu vp/1000
bad words in telugu vp/1000
最后更新: 2024-08-29
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bad words meaning kcpd in telugu
bad words meaning kcpd in telugu
最后更新: 2023-10-31
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alasandalu in tamil
alasandalu in tamil
最后更新: 2020-09-09
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bad words in telugu lanja kodaka
lanja kodaka
最后更新: 2024-09-18
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bad words in english with telugu meaning
lunji
最后更新: 2023-09-29
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annam tinnavaa in tamil
அன்னம் தின்னவா தமிழில்
最后更新: 2022-01-30
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macha meaning in tamil
最后更新: 2020-10-26
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pogaru pothu meaning in tamil
pogaru pothu meaning in tamil
最后更新: 2020-10-08
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pundai meaning of pundai in tamil
pundai meaning of pundai in tamil
最后更新: 2023-09-13
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nenu ninnu premistunnanu in tamil language meaning
nenu ninnu premistunnanu
最后更新: 2019-01-28
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essay on potter life in 300 words in telugu
essay on potter life in 300 words in hindi
最后更新: 2017-08-25
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nenu miru cheppina pani chesanu how to say this words in english
nenu miru cheppina pani chesanu how to say these words in english
最后更新: 2024-08-07
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silence is the best answer to someone who doesn't value your words in telugu meaning
silence is the best answer to someone who doesn't value your words in telugu meaning
最后更新: 2022-08-25
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kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are stron
kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are strongly related to the classical hindu dance tradition of yakshagana found in karnataka, all three involve carnatic music, but these dance-drama traditions have differences such as in costumes, structure, interpretation and creative innovations.[15]
最后更新: 2019-11-06
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