Results for weidemann translation from Spanish to English

durante los años siguientes weidemann siguió expandiéndose.
weidemann continued to expand over the next few years.

se casó con juanne weidemann, en diciembre de 2008.
he married juanne weidemann, in december 2008.

en 1972 weidemann inventó el hoftrac® o grúa agrícola.
in 1972, weidemann invented the hoftrac farm crane.

en 1979 la empresa cambió su nombre a weidemann gmbh und co. kg.
in 1979, the company was renamed as weidemann gmbh & co. kg.

desde entonces weidemann gmbh es una filial 100% de wacker neuson se.
since then, weidemann gmbh has been a wholly owned affiliate of wacker neuson se.

desde 1960 weidemann ha fabricado más de 65.000 máquinas (situación en 2011).
since 1960, weidemann has produced more than 65,000 machines (up to 2011).

el grupo integra las tres marcas wacker neuson, weidemann y kramer allrad, así como las sociedades filiales y las fábricas de producción.
the group comprises the three brands wacker neuson, weidemann and kramer allrad as well as affiliates and production plants.

magne furuholmen es uno de los artistas representados en la coleccion junto con, jacob weidemann, marianne heske e inger sitter, entre otros.
magne furuholmen is one of the artists represented in the collection, together with – among others – jacob weidemann, marianne heske and inger sitter.

==historia==la fábrica de máquinas weidemann kg se creó en diemelsee-flechtdorf (hesse) en 1960.
== history ==maschinenfabrik weidemann kg was founded in 1960 in diemelsee-flechtdorf (hesse, germany).

margarete weidemann, "geschichte des bistums le mans von der spätantike bis zur karolingerzeit: actus pontificum cenomannis in urbe degentium und gesta aldrici".
margarete weidemann, "geschichte des bistums le mans von der spätantike bis zur karolingerzeit: actus pontificum cenomannis in urbe degentium und gesta aldrici".

weidemann define tres niveles en los cuales se puede situar la cultura desde un punto de vista económico: en primer lugar, el nivel individual, que se basa en la interacción de un individuo con representantes de otra cultura.
weidemann defines three levels on which culture - in an economical context - can be localised: firstly, the individual level, describing the situation where an individual interacts with representatives of another culture.

die welt «la radical confesión de una escritora que fue en su tiempo el autor más importante de la rda, un libro que pretende ser y es un adiós.» volker weidemann, frankfurter allgemeine sonntagszeitung
‘ the radical confession of a writer who was once the most important author in the gdr, a book of seeking and bidding farewell.’ – volker weidemann, frankfurter allgemeine sonntagszeitung

gokurt weidemann was one of the most influential and important 20th-century typographers. born in pomerania (now part of poland) in 1922, kurt weidemann served on the front in the second world war and was a prisoner of war in russia. then kurt weidemann finished an apprenticeship as a typesetter in 1950. beteen 1953 and 1955 he attended the stuttgart art academy. while still a student, kurt weidemann had a practice of his own and designed writing paper, logos and advertizing for firms. in 1964 kurt weidemann became a professor at the stuttgart art academy and taught there until 1983. as a freelance graphic artist, kurt weidemann designed books for various publishers and continued to work in commercial art and as an advertizing consultant. in 1983 kurt weidemann was a founding member of the wissenschaftliche hochschule for unternehmensführung, a management college, in koblenz, where he taught verbal and visual communications until 1993. kurt weidemann created the signature look of numerous firms and institutions, including coop, deutsche bahn, merck, shell, porsche, zeiss, and aerospace. from 1987 kurt weidemann was a consultant for the daimler benz corporation, for which he designed the proprietary daimler benz a-s-e typefaces. for the deutsche bibelgesellschaft, kurt weidemann also designed biblica (1979), a typeface that was later renamed itc weidemann. kurt weidemann taught at the hochschule for gestaltung affiliated with the zentrum for kunst- und medientechnik (zkm) in karlsruhe from 1991 until 2000. ogle translator
kurt weidemann was one of the most influential and important 20th-century typographers. born in pomerania (now part of poland) in 1922, kurt weidemann served on the front in the second world war and was a prisoner of war in russia. then kurt weidemann finished an apprenticeship as a typesetter in 1950. beteen 1953 and 1955 he attended the stuttgart art academy. while still a student, kurt weidemann had a practice of his own and designed writing paper, logos and advertizing for firms. in 1964 kurt weidemann became a professor at the stuttgart art academy and taught there until 1983. as a freelance graphic artist, kurt weidemann designed books for various publishers and continued to work in commercial art and as an advertizing consultant. in 1983 kurt weidemann was a founding member of the wissenschaftliche hochschule for unternehmensführung, a management college, in koblenz, where he taught verbal and visual communications until 1993. kurt weidemann created the signature look of numerous firms and institutions, including coop, deutsche bahn, merck, shell, porsche, zeiss, and aerospace. from 1987 kurt weidemann was a consultant for the daimler benz corporation, for which he designed the proprietary daimler benz a-s-e typefaces. for the deutsche bibelgesellschaft, kurt weidemann also designed biblica (1979), a typeface that was later renamed itc weidemann. kurt weidemann taught at the hochschule for gestaltung affiliated with the zentrum for kunst- und medientechnik (zkm) in karlsruhe from 1991 until 2000.