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the birth of venus (italian: nascita di venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the italian artist sandro botticelli, probably executed in the mid 1480s. it depicts the goddess venus arriving at the shore after her birth, when she had emerged from the sea fully grown (called venus anadyomene and often depicted in art). the painting is in the uffizi gallery in florence, italy.
although the two are not a pair, the painting is inevitably discussed with botticelli's other very large mythological painting, the primavera, also in the uffizi. they are among the most famous paintings in the world, and icons of the italian renaissance; of the two, the birth is better known than the primavera.[1] as depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in western art since classical antiquity, as was the size and prominence of a nude female figure in the birth. it used to be thought that they were both commissioned by the same member of the medici family, but this is now uncertain.