Vous avez cherché: raised (Portugais - Anglais)

the complainant has raised the following specific claims and concerns:
the complainant has raised the following specific claims and concerns:

in 2005, further funds were raised from institutional and other investors.
in 2005, further funds were raised from institutional and other investors.

"raised by another" é o décimo episódio de "lost".
"raised by another" is the tenth episode of the first season of the american drama series "lost".

artificially raised planting mounds are separated by shallow canals filled with water.
artificially raised planting mounds are separated by shallow canals filled with water.

rodriguez was raised catholic, ela continuou a dançar salsa até 17 anos de idade.
at the age of seven, rodriguez performed at the salsa dance company fantasia juvenil.

born and raised é o quinto álbum de estúdio do cantor, guitarrista e compositor john mayer.
born and raised is the fifth studio album by american musician john mayer, and was released on may 22, 2012.

the insulin levels are also often raised. os níveis de insulina são também muitas vezes evocada.
the insulin levels are also often raised.

his method involved having the patient lie on her side with one arm raised while being x-rayed.
his method involved having the patient lie on her side with one arm raised while being x-rayed.

billions of u.s. dollars are being raised and spent to research h5n1 and prepare for a potential avian influenza pandemic.
billions of u.s. dollars are being raised and spent to research h5n1 and prepare for a potential avian influenza pandemic.

a question was raised over what the arab world has contributed to the process of globalization; the answer was “we buy.
a question was raised over what the arab world has contributed to the process of globalization; the answer was "we buy.

"`the devil hath been raised`: a documentary history of the salem village witchcraft outbreak of march 1692".
"`the devil hath been raised`: a documentary history of the salem village witchcraft outbreak of march 1692".

== use in elementary education ==some elementary teachers use raised plus and minus signs before numbers to show they are positive or negative numbers.
== use in elementary education ==some elementary teachers use raised plus and minus signs before numbers to show they are positive or negative numbers.

no blog regular comments based on issues raised by bbc world have your say, abdelilah discute a discrepância entre a punição por estupro na arábia saudita e nos estados unidos:
on the regular comments based on issues raised by bbc world have your say blog, abdelilah discusses the discrepancy between punishments for rape in saudi arabia and the united states:

first gallant south carolina nobly made the standthen came alabama and took her by the handnext, quickly mississippi, georgia, and floridaall raised on high the bonnie blue flag that bears a single star.
first gallant south carolina nobly made the stand:then came alabama and took her by the hand:next, quickly mississippi, georgia, and florida:all raised on high the bonnie blue flag that bears a single star.

"raised by wolves" fala sobre os atentados de dublin e monaghan, em 1974, que mataram 33 pessoas, mas que foram evitadas por bono naquele dia.
'" "raised by wolves" is about the dublin and monaghan bombings of 1974, which killed 33 people but were narrowly avoided by bono that day.

on 21 january 1958, a force of pro-guatemalan fighters from the belize liberation army, who had likely been aided and encouraged by guatemala, crossed the border and raised the british flag.
on 21 january 1958, a force of pro-guatemalan fighters from the belize liberation army, who had likely been aided and encouraged by guatemala, crossed the border and raised the guatemalan flag.

in apl a raised minus sign is used to denote a negative number, as in −3) and in j a negative number is denoted by an underscore, as in _5.
in apl a raised minus sign (unicode u+00af) is used to denote a negative number, as in ¯3) and in j a negative number is denoted by an underscore, as in _5.

bob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann
traductor de googlebob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann