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corte suprema de justicia, acuerdo y sentencia número 709, 1/9/2009.
corte suprema de justicia, acuerdo y sentencia número 709, 1/9/2009

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(1) beim rasgueado reiben die fingernägel der rechten hand rhythmisch die saiten, während die linke hand akkorde greift. (2) z.b. la púrpura de la rosa, de torrejón y velazco, mit einem libretto von calderón de la barca, uraufgeführt 1701 in lima (pérou) ; und el robo de proserpina y la sentencia de júpiter, von filippo coppola, dessen libretto manuel garcía bustamante 1678 in neapel geschrieben hat. in beiden fällen beobachten wir ausgiebige narrative arien, die auf der wiederholung eines musikalischen schemas beruhen, das den erzählenden texten zugrundeliegt.
in other cases these take the form of an "alphabet for guitar" (a seventeenth-century system that can be compared to the accompaniment, in popular and folk music of latin america, by chords or by american numbering) as well as the form of tablature for vihuela in a style approaching that of the spanish renaissance tradition. (1) rasgueado is a manner of playing in which the strings are strummed rhythmically with the nails of the right hand, while the left hand is used to play chords on the neck of the guitar. (2) for example, la púrpura de la rosa by tomás de torrejón y velazco, based on a libretto by calderón de la barca, first performed in lima, peru, in 1701, and el robo de proserpina y la sentencia de júpiter by filippo coppola, based on a libretto by manuel garcía bustamante, first performed in naples in 1678. in both these cases it is worth noting the abundance of narrative airs based on the repetition of the same musical pattern against which the texts change as in a recitative.